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...produces the trump that his opponents have failed to snare, or when he makes his slam or sets his opponents. An old bridge friend says: "The card rises vertically in the President's hand, then describes a 90-degree arc. It hits the table with a thump, upsetting ash trays and opponents...

Author: /time Magazine | Title: THE PRESIDENCY: White House Bridge Player | 5/11/1953 | See Source »

Crimson starter Bob Ward walked four men in the opening frame, to give the Jeffs a three run lead which they never never lost. Amherst lead-off batter Ash Eames walked, and Arnie Zins singled past second, sending Eames to third. When Crimson shortstop Ed Krinsky bobbled Tom Lewis' grounder, Eames scored...

Author: By David L. Halberstam, | Title: Amherst Nine Beats Crimson 7-2, in Season's First Game | 4/13/1953 | See Source »

Married. Walter Francis John Montagu-Douglas-Scott, Earl of Dalkeith, 29, rangy, redheaded heir to the eighth Duke of Buccleuch (pronounced "buck-cloo"), long regarded as the front runner for Princess Margaret's hand; and Jane Mc-Neill, 22, ash-blonde, China-schooled fashion model and daughter of a Scottish barrister practicing in Hong Kong. Queen Elizabeth II, the Duke of Edinburgh, Princess Margaret traveled by special train from Sandringham to join the Duke and Duchess of Gloucester and 1,600 other royal guests, socialites and privileged laborers and tenants of the Buccleuch estates (six ancestral homes...

Author: /time Magazine | Title: Milestones, Jan. 19, 1953 | 1/19/1953 | See Source »

...second quarter the Lord Jeff aggressiveness hold the Crimson attack. Amherst beat Harvard to the ball more often than not, and the Purple took six shots to the Crimson's one, but none of them paid off. Though Ash Eames, the visitors' captain, was rough and skillful, the Purple attack played spirited, but uncoordinated ball...

Author: By James M. Storey, | Title: Booters Beat Purple Squad In 3 to 2 Upset | 11/3/1952 | See Source »

Archeologist Maiuri's men cleared away the rest of the gravel. There, astonishingly preserved, was a 7-ft. mural of Venus reclining on a sea shell, attended by cupids. Unlike most Pompeian paintings, which have been dimmed and reddened by ash, rain and time, the mural had kept most of its original luster: deep sky-blues, rosy flesh tints, bright gold for the ornaments, rich brown for Venus' hair...

Author: /time Magazine | Title: Art: Venus under the Ashes | 10/13/1952 | See Source »

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