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SPINSTER (242 pp.)-Sylvia Ashton-Warner-Simon & Schuster...

Author: /time Magazine | Title: Books: Wildly Alive | 3/16/1959 | See Source »

Dangerous Activity. Author Ashton-Warner, a teacher for 17 years in Maori schools and an amateur painter and musician, has fashioned a strikingly individual style: her sentences come tumbling forth like precision acrobats, alive with imagery, sensuous perception, heroic echoes. The full-lunged children are so noisily present that, for many, reading Spinster will seem like living next door to an all-day playground. The adults are drawn as well, with acute observation of the irritable crankiness that so often accompanies dedication, and with a tragicomic sense that it is often the most trivial despair that most startlingly changes...

Author: /time Magazine | Title: Books: Wildly Alive | 3/16/1959 | See Source »

Choreographer Ashton says all the show girls along the Las Vegas Strip will be "replaced by nudes." I don't think the human body was meant to be used as a form of such amusement or entertainment...

Author: /time Magazine | Title: Letters, Sep. 15, 1958 | 9/15/1958 | See Source »

...entertainment which is of its nature indecent, suggestive or calculated to excite thoughts or actions contrary to the Sixth Commandment." Some Vegas saloonkeepers were quick to agree. "We've never uncovered a girl's navel," cried the Sands' Jack Entratter. But El Rancho Choreographer Barry Ashton retorted: "Bare chests are the thing here-it's what the public wants, and we're giving it to them. It will soon be nothing to see a nude girl. All the showgirls along the Strip will be replaced by nudes...

Author: /time Magazine | Title: Show Business: What the Public Wants? | 8/18/1958 | See Source »

MARIO SERENI, a 29-year-old Italian born lyric baritone, has been properly praised for his fine, resonant voice and roasted for wooden acting. As Lord Hepry Ashton in Lucia di Lammermoor this season, he sang well, was no more notable for oaken attitudes than many other performers in an art form that pays little heed to Stanislavsky. While the Met, with Robert Merrill and Warren, has enough starring baritones, Sereni will be useful in such important feature roles as Marcello (Bohème) and Silvio (Pagliacci...

Author: /time Magazine | Title: Music: New Voices at the Met | 2/3/1958 | See Source »

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