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...that. A gouache-and-ink painting by Vietnamese post-impressionist Le Pho, whose work is part of the permanent exhibition at the Modern Art Museum in Paris, captured nearly $250,000 at a Singapore sale. Overall, leading auction houses Sotheby's and Christie's auctioned $190 million in contemporary Asian art last year, compared to $22 million just two years before. "This is just the beginning," says Swiss art dealer Pierre Huber, who in September oversaw a debut contemporary Asian art fair in Shanghai. "For so long, people did not know about Asian art. But now the world is turning...

Author: /time Magazine | Title: The Color Of Money | 11/1/2007 | See Source »

...some ways, given the frothiness of the global art market as a whole, Asia's rise is understandable. Yet the boom in modern Asian art also serves as an important reminder that the region is not just a copier but an innovator as well. Asia's avant-garde artists explore the clash between ancient traditions and pell-mell development, the lure of commercialism, and, most fundamentally, the struggle for individuality on the world's most populous continent. "There's this misconception that art from Asia is static, that it's the same old boring stuff," says Eloisa Haudenschild, an Argentine...

Author: /time Magazine | Title: The Color Of Money | 11/1/2007 | See Source »

...arbiters of Asian art didn't always reward such experimentalism. In the great art academies of India, China and Vietnam, technical skill and an ability to reference the region's rich cultural heritage outweighed social commentary or renegade brush strokes. For centuries, Chinese students spent their school years laboriously copying the ink landscapes of ancient masters. The same held true in India, where artistic merit often was equated either with an ability to reproduce themes from religious epics or mimic the miniaturist details of the Mughals. In Vietnam, the 20th century's most promising painters attended the École...

Author: /time Magazine | Title: The Color Of Money | 11/1/2007 | See Source »

...Some Asian artists blame the consumerist hype on foreign collectors who impose their tastes - and dollars - on locals. "The foreigners already have an idea of what they expect from Chinese art, and they are more interested in works that have obvious Chinese symbols," says Shanghai artist Ding Yi, whose Mondrian-inspired geometries hardly betray his nationality. "It's very seductive," acknowledges Li Liang, the owner of Eastlink Gallery in Shanghai. "You know that if you put things up that look Chinese, they will sell well." But others worry that this impulse will only encourage soulless facsimiles with little cultural resonance...

Author: /time Magazine | Title: The Color Of Money | 11/1/2007 | See Source »

Harvard has a swarm of Japanese visitors, but they’re not who you would expect. The Asian Lady Beetle, more commonly referred to as the ladybug, has replaced scabies as the infestation du jour in both the River and the Quad, taking up residence primarily in Leverett, Mather and Currier Houses. “They are a nuisance (they come inside this time of year to find a nice warm spot to overwinter), but they are not a problem unless you inadvertently eat them!” Hessel Professor of Biology Naomi E. Pierce, one of two professors...

Author: By Ana P. Gantman, CONTRIBUTING WRITER | Title: What’s Black and Red and Crawling All Over? | 10/31/2007 | See Source »

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