Word: askoldov
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Dates: during 1980-1989
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...jail. Sergei Paradjanov, a lyric poet in the Dovzhenko mold, spent nearly four years in prison. Andrei Tarkovsky, the greatest Soviet director since Eisenstein, filmed Andrei Rublev in 1966; the complete version was not shown publicly in the U.S.S.R. until 1987, just after Tarkovsky died in exile. Alexander Askoldov's The Commissar, filmed in 1967, was accused of "Zionist tendencies" and suppressed for 20 years; Askoldov has yet to make another movie. Erakli Kvirikadze made his satire of Stalinism, The Swimmer, in 1981, but a crucial scene was deleted until 1987. The director stashed the offending footage in his refrigerator...
Filmed in handsome chiaroscuro and with an austere camera zest, this Russian film makes for a poignant humanist fable. So does the story of its making and suppression. Writer-Director Alexander Askoldov finished his film in 1967. But the Soviet authorities, accusing Askoldov of "promoting Zionism and . . . imperialist chauvinism," shelved Commissar, and Askoldov has never made another picture. Only last year, as glasnost was opening the door of artistic freedom, was the director able to free his kidnaped film. Commissar won a Silver Bear at the 1988 Berlin Film Festival, though the Soviet press neglected to mention it. A true...
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