Word: aspects
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Dates: during 2000-2009
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Last Saturday’s performance was in part due to Mazzoleni’s tinkering with the lineup. He changed at least one aspect of three of his four offensive lines, and he switched the left skater on all three defensive lines...
...audience with the kind of potent visual poignancy unseen in his previous directorial work. In one remarkable shot, the camera takes an overhead God’s-eye view of the crucifixion site, underpinning the magnitude of the event by exhibiting the individuals’ relative irrelevance. Furthermore, every aspect of the persecution becomes a multi-sensory experience, as each lashing is accompanied by a vivid shower of crimson and unnerving sound effects. At one point, a Roman soldier flagellates Christ with a whip of broken metal tips, the shards embedded and then ripped from his torso. As this...
...consider myself a somewhat sensitive person, I have to become very distanced from the guy being beaten if the aspect I concentrate on is the aggressor’s technique: it surprised me how little I cared about this character’s life. I am not being callous, but there are three fatal flaws that damage the film for nonbelievers: almost no characterization or narrative, a spectacularly large amount of violence and almost all of the Jews are evil Christ-killers...
...democracy riots and cheering mobs of happy Germans are the images most often associated with the fall of the Berlin Wall. Director Wolfgang Becker aims to capture a unique aspect of the event in his critically acclaimed film Goodbye, Lenin!, by depicting the effects of German reunification on everyday people. The most commercially successful German film in history, its theme echoes that of an earlier German epic, Das Versprechen (The Promise), but Becker steers Goodbye Lenin! far away from that film’s largely stifled emotions...
...audience with the kind of potent visual poignancy unseen in his previous directorial work. In one remarkable shot, the camera takes an overhead God’s-eye view of the crucifixion site, underpinning the magnitude of the event by exhibiting the individuals’ relative irrelevance. Furthermore, every aspect of the persecution becomes a multi-sensory experience, as each lashing is accompanied by a vivid shower of crimson and unnerving sound effects. At one point, a Roman soldier flagellates Christ with a whip of broken metal tips, the shards embedded and then ripped from his torso. As this...