Word: aspen
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...this Friday there is no work. Around noon Thursday, a navy blue Dodge Aspen, No. 142 274, went by on its way down the jerky, rumbling assembly line as Dodge Main's last car. As it passed, small groups of instrument fitters, engine installers and wheel mounters cleaned up quietly and left. When the line finally came to a halt, nothing dramatic followed, no mass exodus, not even a final silence. Plant officials gathered around the blue Aspen for photographs, then drifted to the windows overlooking the Bismarck Gate to watch television crews clustered around departing workers, striving...
...unlike Navin, Martin most likely will not be sued for marketing a faulty product (the "Optigrab" causes 10 million consumers to go cross-eyed) and will pocket a tidy sum from this film. Navin winds up in the gutter; Martin will probably purchase a new ski chalet in Aspen. Yet, in the end, Navin may end up the richer man--his adopted family and Marie find him on Skid Row and shower him with affirmation and love. As for Steve, if Martin the Writer continues to dominate Martin and Comedian, he may well find both his coffers and his mailbox...
...chair. It is time for another British soap opera from Masterpiece Theater. Appropriately, this sad tale of the dangers of love, taken from a novel by the late H.E. Bates, begins its run on the first day of autumn and continues through the sea son, ending Dec. 9. Lydia Aspen (Mel Martin) is a beautiful young heiress who comes to Aspen House on the death of her father in 1929. Three middle-class youths from the town, a factory center in the Midlands, fall in love with her. Two of them find the attraction fatal, but the third lives...
...wife's urging, I recently went into a discotheque in Aspen. I can tell you I felt the generation gap greatly there," he said...
...creating his role in the Amsterdam production, and the experience showed in his secure, if rather monochromatic, performance. Other major roles were ably filled by Rita Shane as Houdini's mother, John Brandstetter as his manager and Viviane Thomas as Bess. Conductor Richard Dufallo, who heads Aspen's annual Conference on Contemporary Music (at which Schat is one of this year's composers-in-residence), had the work firmly in hand. His youthful chorus and orchestra managed most of the score's difficulties, though without making them sound any less difficult...