Word: assassinations
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...play opens with John Wilkes Booth (Jason McNeely '00) peddling off guns to the cast of assassins in a song fittingly titled "Kill a President." Booth cheerfully convinces each assassin that the way to overcome his or her problem--whether political, job-related, or personal frustration--is to kill the president. This opening scene provided the audience's first taste of the Pforzheimer House production's absolutely gorgeous ensemble of voices; McNeely's rich tenor was especially memorable. The scene ends as each assassin points his or her gun at the audience, smiling--a gesture used often during the play...
...concept couldn't be higher--that is to say, simpler: a professional assassin goes to his high school reunion. Ha-ha. Can't you just see the double takes when Martin Q. Blank (John Cusack) tells all those suburban housewives and real estate salesmen what he's been doing since graduation...
...agent who helped cover up the plot by pointing toward the flophouse from which the FBI maintains James Earl Ray fired the fatal shot, leading police away from a brushy area across the street where several witnesses saw a man who they believe may have been the real assassin. Last week TIME confirmed from U.S. government sources that McCullough has in fact been a CIA agent since at least 1974. McCullough denies being on any intelligence agency's payroll at the time of the murder and, for that matter, being part of any assassination conspiracy...
Pitt's Frankie McGuire is an assassin for an unnamed group of Northern Irish terrorists sent to America to evade the British secret service, whose noose is beginning to tighten around him. He carries a vast sum of money and instructions to purchase a shipment of Stinger missiles capable of rebalancing the power in Belfast. Given an assumed name and occupation, he enters the country, and the home of Ford's Tom O'Meara, as an ordinary immigrant needing a sponsor. Since Tom is a New York City cop of unquestionable honesty, Frankie's cover is perfect...
MOVIES . . . THE DEVIL'S OWN: Brad Pitt?s Frankie McGuire is an assassin for an unnamed group of Northern Irish terrorists sent to America to evade the British secret service, whose noose is beginning to tighten around him. Given an assumed name and occupation, he enters the country, and the home of Harrison Ford?s Tom O?Meara, as an ordinary immigrant needing a sponsor. Since Tom is a New York City cop of unquestionable honesty, Frankie?s cover is perfect. The script (by David Aaron Cohen, Vincent Patrick and Kevin Jarre) is good about not making too much...