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...Flight to Asylum. Brazil's new president is proud of his long career as a champion of the little man. As an editor-politician from northeast Brazil, Café Filho bucked the old Vargas dictatorship so vigorously that he had to flee to asylum in a Rio embassy. When he returned to Congress after World War II, as floor leader for the Social Progressive Party, he sat at his old desk on the opposition side. But his party bosses, after nominating him for Vice President in 1950, withdrew their own presidential nominee in return for Vargas' support...

Author: /time Magazine | Title: BRAZIL: New Pilot | 9/13/1954 | See Source »

...Justice Department announced that Rastvorov would be granted asylum in the U.S. The State Department added that Soviet Ambassador Georgy Zarubin -who had been demanding to know Rast-vorov's whereabouts-had been invited to talk to Rastvorov in the State Department, but the embassy replied that the ambassador was indisposed, and so were all of his assistants...

Author: /time Magazine | Title: COMMUNISTS: Two-Way Street | 8/23/1954 | See Source »

...crackdown came none too soon. The country's leading Reds, every one of whom eluded Castillo Armas' somewhat butterfingered clutches last June, were hard at work trying to regroup their shattered forces underground. Some who first fled to asylum in embassies later slipped out to join other comrades in stirring up the peasants and the numerous unemployed. Immediately after the recent army rising, Communist leaflets quickly appeared on the streets proclaiming that "the people" had turned against the regime as "a fascist dictatorship imposed...

Author: /time Magazine | Title: GUATEMALA: Command Decisions | 8/23/1954 | See Source »

Young (21) Painter Cuevas strayed only as far as the insane asylum, the charity hospital and the slums. With an economy of fuzzy line, scratched on paper with almost hairless brushes, he powerfully portrayed the hunched reticence of schizophrenia, the hauteur of megalomania, the stares of poverty and disease. His show of 43 ink drawings and watercolors at Washington's Pan American Union caused one old lady to ask: "How can you be so young and so morbid?" To this often repeated question, Cuevas replies flatly: "My interest in the dying and the insane is my vision of modern...

Author: /time Magazine | Title: Art: A Vision of Life | 8/16/1954 | See Source »

Cuevas' show was a sellout at $20 to $50 a sketch. One Manhattan dealer sold several, sight unseen, by long-distance telephone. Manhattan's Museum of Modern Art took one look at the show's catalogue and reserved two of the most impressive asylum studies...

Author: /time Magazine | Title: Art: A Vision of Life | 8/16/1954 | See Source »

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