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Dionyshus (pupetecred> by Raphed Sperry), god of aged grape juice and its accompanying revelry, open the play with a lament for hometown Athena. The ongoing war with Sparta and the deaths of two, great tragedians, Aeschylus (Howard Miller) and Euripedes (Tanya Bezrah), have left the city in turmoil, Dionysius journeys to the underworld to fetch one of the late, great playwrights to save the war-torn polis...

Author: By Sarah C. Dry, | Title: The Frogs: Aristophanes With Strings Attached | 4/22/1993 | See Source »

...would think they were bluffing if it weren't for the fact that one had "become root" (for just long enough to flaunt it to the director of computing) on MIT's Athena. Unlike our own wimpy system, Athena is one of the most powerful university networks in the world--and one of the best defended...

Author: By John E. Stafford, | Title: Reading Rudenstine's Email | 4/14/1993 | See Source »

...most sacred ritual the revenge- murder that he sees at the heart of Greek tragedy. Edward has a fanatical faith in the cleansing purity of blood vengeance. His wife Helen (Judi Dench), who holds deeply to a liberal belief in fairness and mercy, is his muse and counterbalance -- playing Athena, goddess of reason, to his Perseus, the mythological hero who killed the monstrous Gorgon. The play hinges on the passionate dialectic between these two, which turns ominous when it leaves the realm of playwriting and becomes a struggle for psychic survival...

Author: /time Magazine | Title: Succeeding At Extremes | 3/15/1993 | See Source »

...demonstrates this in considerable detail, through marvelous examples of 5th century sculpture that include the titanically grave and simple group of Atlas presenting the golden apples of the Hesperides to Herakles (from the Temple of Zeus at Olympia) and the famous low-relief carving of the armed goddess Athena, leaning on her spear, absorbed in thought, the body fixed in a space of almost pure geometry (from the Acropolis Museum in Athens...

Author: /time Magazine | Title: Art: The Masterpiece Road Show | 1/11/1993 | See Source »

...unadorned; its decor has been lost or worn away. Were we to see it in its original state, we would find it shockingly "vulgar." All the great figures and sculpture were painted in violent reds, ochers and blues, like a seaside restaurant in Skopelos. The colossal figure of Athena inside the Parthenon was sheathed in ivory "skin." As for adornment, there were "real" metal spears fixed in the hands of marble warriors, brightly simulated eyes with colored irises set in the now empty sockets of The Kritios Boy. And far from rising above anxiety, classical Greek art pullulated with horrors...

Author: /time Magazine | Title: Art: The Masterpiece Road Show | 1/11/1993 | See Source »

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