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Dutka has collected some show business memories: "Cats Director Trevor Nunn giving me a mesmerizing reading of T.S. Eliot's 'Grizabella, the Glamour Cat'; Paul Newman letting me take a rare close look at his souped-up Volkswagen; South African Playwright Athol Fugard sitting in the Algonquin Hotel lobby and analyzing the tragedy of apartheid; Robert Redford asking for my opinions on President Reagan, the press and living in New York City before launching into a discussion of directing in Hollywood...

Author: /time Magazine | Title: A Letter From The Publisher: May 14, 1984 | 5/14/1984 | See Source »

NOTEBOOKS 1960-1977 by Athol Fugard; Knopf 238 pages...

Author: /time Magazine | Title: Books: Out of Africa | 4/30/1984 | See Source »

Shades of gray are hard to come by in South Africa. That beautiful, terrible land invariably tempts writers to reduce it to black-and-white terms, to find a moral in its every predicament, a sermon in its every scene. Playwright Athol Fugard, 51, has won international acclaim by resisting the impulse to moralize. Such dramas as "Master Harold" . . . and the Boys, Boesman and Lena and A Lesson from Aloes do not preach against the evils of apartheid; they give institutionalized racism a human face, sometimes stolid, sometimes collapsing in laughter, tears or rage...

Author: /time Magazine | Title: Books: Out of Africa | 4/30/1984 | See Source »

...drama. Examples of homosexuality or suicide come to mind--problems we can empathize with although they don't necessarily touch our lives directly. The case of bigotry, however, stirs emotions by touching a deeper nerve that is all too familiar to many people. In MASTER HAROLD..and the boys Athol Fugard forces us to probe not only the problem, but also our own psyches...

Author: NO WRITER ATTRIBUTED | Title: Breaking Through Brick Wall's | 11/15/1983 | See Source »

Playwright Athol Fugard's semi-autobiographical Master Harold and the Boys takes place in segregated South Africa in 1950. What makes this a great work, however, is its ability to transcend the racial line and take us into a higher realm of human emotions. That is not to say apartheid is not a subject, but it is only one facet in this play of interlocking themes...

Author: By William S. Benjamin, | Title: Victim of The System | 3/11/1983 | See Source »

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