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Word: atlantida (lookup in dictionary) (lookup stats)
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...Falla never stopped working, and the years of silence were filled with a dream-"to glorify the immortality of Spain through music." Last week, at Milan's La Scala, the grand dream came to life at the premiere of Falla's four-hour-long scenic cantata La Atlantida...

Author: /time Magazine | Title: Music: Falla's Last Dream | 6/29/1962 | See Source »

Falla conceived of La Atlantida as his life's masterwork. a Spanish Parsifal, throbbing with epic Wagnerian themes and massive Wagnerian thunder. He took his title and story from the Catalonian epic by Jacinto Verdaguer-a tale of the lost continent of Atlantis, destroyed for its sins, and of Spain preserved to export Christianity to the New World...

Author: /time Magazine | Title: Music: Falla's Last Dream | 6/29/1962 | See Source »

...Scala, under the baton of U.S. Conductor Thomas Schippers, La Atlantida proved to be a grandiose but admirably controlled work that made its points with much of the concision that Falla displayed in such earlier compositions as The Three-Cornered Hat. Where Falla departed from his familiar style was in the sparing use of folk material and in the skillful use of a descriptive chorus. Atlantida has only three major singing roles: Narrator Corifeo (Baritone Lino Puglisi), Queen Pyrene (Mezzo Giulietta Simionato), and Queen Isabella (Soprano Teresa Stratas). Much of the action is either pantomime or dancing...

Author: /time Magazine | Title: Music: Falla's Last Dream | 6/29/1962 | See Source »

...Franco government won, and De Falla's sister Maria hustled back to Spain with a sackful of his belongings. Since then, she has lived in seclusion with her surviving brother German in the sleepy Andalusian village of San Fernando, jealously guarding a shabby bag which contains La Atlantida-comp-leted down to the last note...

Author: /time Magazine | Title: Music: Mystery in Madrid | 3/7/1949 | See Source »

...explanations. The prosaic one insisted that Maria was hanging on to Manuel's last music because she and German were quarreling about minor details of Manuel's will. The more poetic theory: just before his death, Manuel had told Maria that the role of God in La Atlantida must be sung by one who was absolutely pure in heart and María, now a wrinkled, white-haired 62, felt that there is no such man in the world today...

Author: /time Magazine | Title: Music: Mystery in Madrid | 3/7/1949 | See Source »

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