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Berg: Lyric Suite (the Juilliard String Quartet; Columbia, 2 sides LP). Austrian Atonalist Alban Berg, who died in 1935; is rapidly coming into his own. His opera Wozzeck is enjoying a spate of concert performances (Columbia and Artist Records have recorded excerpts), and it will be a featured work at this year's Salzburg Festival. The Lyric Suite, composed six years later (1926), comes far more strangely to the ear, is not recommended for those not already pleased to make Berg's acquaintance. Performance and recording: excellent...

Author: /time Magazine | Title: Music: New Records, Mar. 12, 1951 | 3/12/1951 | See Source »

...success." He was not overly concerned with where he stood in the great operatic tradition. He had not discovered anything brand-new, and he knew it. Paul Hindemith, Ernst Krenek and the late Kurt Weill had broken the ground for him in Germany in the '20s. Austrian Atonalist Alban Berg's gloomy Wozzeck had moved opera musically miles from the Verdis and Monteverdis...

Author: /time Magazine | Title: Music: Composer on Broadway | 5/1/1950 | See Source »

...heard was quite different from the somewhat eclectic Symphony No. 2 of Schuman they had first heard twelve years ago-and rewarded with "practically silence," as Schuman remembers it. A man who used to compose with one ear to Hindemith and Roy Harris (his teacher), the other sometimes to Atonalist Alban Berg, Schuman seemed to have found a little more of a style...

Author: /time Magazine | Title: Music: Bread & Butter | 2/20/1950 | See Source »

Mozart the Modern. He has written five string quartets, a piano concerto and two symphonies (one of which the Minneapolis Symphony played in 1946). He composes in a freely atonal style, admires the hardy music of Schonberg and Austrian Atonalist Alban Berg. Says he: "After all, Mozart composed 'modern' music when he wrote." When friends ask him why he writes like the new masters, but plays only the music of the old, he says: "I play only music which remains for me problematic-only music that is better than it can be played...

Author: /time Magazine | Title: MUSIC: For the Sake of It | 2/23/1948 | See Source »

...student of famed Atonalist Arnold Schonberg, Eisler won Vienna's Academy of Music prize for composition in 1924. Among his U.S. film scores: The Woman on the Beach, Rain. He was exiled from Germany in 1933, is scheduled to testify about himself this week before the House Committee on Un-American Activities...

Author: /time Magazine | Title: Music: Left Face | 9/29/1947 | See Source »

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