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...designed the college's Loeb Drama Center and its Countway Library of Medicine. In line with the bank's desire for a "humane" building, Stubbins proposed to loft an aluminum-faced structure on huge columns 112-ft. tall, thus creating the space for the shopping area and atrium, a sunken entrance plaza with a waterfall tumbling down from street level, a renovated subway station and, of course, the new church. "Aesthetically," says Stubbins, 65, "the Citicorp Center brings back to the city lightness and brightness-it meets the street with drama, and opens up the city canyons...

Author: /time Magazine | Title: Environment: Classy Newcomer on the Skyline | 12/19/1977 | See Source »

Miller had already set the example by hiring Eliel's architect son, Eero, a friend since they studied together at Yale in the 1930s, to build what would become one of the country's first banks with all-glass walls and an atrium-like interior. The town fathers soon followed Miller's cue, recruiting famous architects to design eleven stunning new schools, including an octagonal brick, glass and wood edifice by Chicago's Harry Weese. As the architectural contagion spread through Columbus, Saarinen fils wrought a hexagonal house of worship for the North Christian Church, which...

Author: /time Magazine | Title: Architecture: Showplace on the Prairie | 12/5/1977 | See Source »

...celebrates its official dedication-though hammers and drills still echo through many of the project's cavernous passages. The 73-story Detroit Plaza Hotel has only three-quarters of its 1,400 rooms ready for occupancy. A reflective-glass cylinder, the hotel has an eight-story atrium lobby with a central pond and curved balconies-all standard elements of the style of Portman.* Few shops and restaurants have opened their doors, since the 350,-000-sq.-ft., tri-level mall housing most of them is still under construction. Ren Cen's four 39-story, octagonal office towers...

Author: /time Magazine | Title: BUILDING: Motown Meets the Renaissance | 4/18/1977 | See Source »

...million Lehman pavilion was merely the first phase. But it is certainly the most spectacular, as well as controversial. Seen from Central Park, it is dominated by a 67-ft.-high glass pyramid built onto the museum's original Victorian façade, with an atrium below, two levels of gray limestone ambulatories, and (sealed off from daylight on the main floor) so-called period rooms in which the greatest paintings hang...

Author: /time Magazine | Title: Art: Treasure and Trespasses | 5/26/1975 | See Source »

...different matter. It is pharaonic: a nucleus of ritual objects meant to serve the dead man in his next life, immured at the center of a transparent pyramid. Only a mummy is absent, but the eye of an irreverent visitor may easily stray to the center of the sunken atrium, half expecting to see a sarcophagus. Roche-Dinkeloo's design is elegant, icy and inflated. Lehman agreed that the new wing should have almost the same proportions as the Met's Great Hall - thus ensuring a large abstract monument to himself - but he also wanted to commemorate...

Author: /time Magazine | Title: Art: Treasure and Trespasses | 5/26/1975 | See Source »

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