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...main event is the renowned Edinburgh International Festival, which was created in 1947 by Rudolf Bing, then general manager of Glyndebourne Opera and later general manager of New York City's Metropolitan Opera. Various royals and city fathers became involved, inviting groups to attend. But legend has it that eight groups came uninvited, booked their own halls and launched what has come to be known as the Festival Fringe--an eclectic gathering of street performers, experimental theater, stand-up comics, musicians and much more. "[The founders'] aim after the war was to bring the nations of the world together through...

Author: /time Magazine | Title: Artistic Explosion | 7/19/2004 | See Source »

...Yankees won the World Series each of my first three years of high school. And since I went to school in lower Manhattan it was natural to take the morning off to attend what was becoming an annual event—the ticker tape parade down the canyons of Broadway...

Author: By Jessica E. Schumer, | Title: The Boys of Summer | 7/16/2004 | See Source »

...student was not going to attend Harvard because his AI was computed far below what it should have been,” Russell said. “The student was going to finish third in his class, but his school reported it as ‘top 20 percent.’ I was disappointed that the AI was far below what I had computed [when including his actual class rank...

Author: By Timothy J. Mcginn, CRIMSON STAFF WRITERS | Title: Water Polo Coach Fired After Just One Season | 7/16/2004 | See Source »

...Both films established a base in a devoted minority: the evangelical right and the political left. Both films were attacked in the major media and profited from it: the faithful were galvanized, the films got an underdog status, and uncommitted moviegoers paid attention. As church groups recruited members to attend Mel Gibson's film its first weekend, so too the liberal lobby MoveOn.org signed up 110,000 members who pledged early attendance at the Moore movie...

Author: /time Magazine | Title: The World According To Michael | 7/12/2004 | See Source »

There's no room for genius in the theater," Laurence Olivier once remarked. "It's too much trouble." He was right. For all the Sturm, Drang and general lunacy that so often attend the production of a play or film, the aim is to mobilize genial craft and polished technique to make something that's easy for producers to budget and schedule, something that clutches the audience's heart but does not send it spiraling into cardiac arrest...

Author: /time Magazine | Title: Hostage of His Own Genius | 7/12/2004 | See Source »

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