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...stories, poetry and musical compositions. But what most of us don’t know is that Silverstein began his career in 1956 working for Hugh Hefner’s Playboy Magazine. Strange to imagine that the man who brought us “A Light in the Attic,” “Where the Sidewalk Ends,” and “The Giving Tree” simultaneously drafted scandalously entertaining works for adults...

Author: By Allegra M. Richards, CONTRIBUTING WRITER | Title: On The Radar: An Adult Evening with Shel Silverstein | 3/9/2006 | See Source »

Even the setting is unconventional—the show is set in an attic. So head to that place where the sidewalk ends, and the show begins; there’s nothing like returning to your roots, even if they have grown a little more twisted...

Author: By Allegra M. Richards, CONTRIBUTING WRITER | Title: On The Radar: An Adult Evening with Shel Silverstein | 3/9/2006 | See Source »

Compared to the open atrium and plush conference rooms of, say, the Barker Center (where some NELC professors have attic offices), NELC’s space appears shabby and decrepit. And like its physical surroundings, the department itself could use an upgrade...

Author: By Giuliana Vetrano, CONTRIBUTING WRITER | Title: No Strings Attached? | 3/8/2006 | See Source »

...going to have a degree of permanence because it sounds so solid," says Murdoch, "and you can dance to it." The faithful need not worry, however. The album is filled with trademark tales of quirky outsiders, like Sukie in the Graveyard who secretly lives in the art-school attic, and the ode to an imaginary girlfriend, Funny Little Frog. And they are delivered with Murdoch's characteristic humanity and obscure wit - it's still thinking music, so long as you think while you dance. And the band has never remained static. When the late bbc DJ John Peel described their...

Author: /time Magazine | Title: Belle on the Ball | 2/19/2006 | See Source »

...sense of playful collaboration rewards more and more with each listen. Lyrically, Murdoch sticks to what has worked in the past: stories about misfits. The title character of the song “Sukie in the Graveyard” spends her time making grave rubbings, lives illegally in the attic of an art school she’s not enrolled in, and poses for life-drawing classes with “the grace of an eel, sleek and stark.” And when the narrator of “Funny Little Frog” sings to his love that...

Author: By Michael A. Mohammed, CRIMSON STAFF WRITER | Title: The Life Pursuit | 2/9/2006 | See Source »

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