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Producer-Director Herbert B. Leonard had just turned in the finished version of his movie Going Home to MGM. Arriving for a scheduled meeting with MGM President James Aubrey, he was told that Aubrey was busy recutting a new film and could not be disturbed. "What movie is he recutting?" Leonard asked. "Yours," came the reply...

Author: /time Magazine | Title: Show Business: Uprising at MGM | 12/27/1971 | See Source »

...Hollywood, it was nothing new for a studio boss to fiddle with a director's efforts. What was unusual was that Leonard, unlike the sometimes helplessly subordinate directors of old, protested loudly and publicly. In the version of Going Home that was recently released, starring Robert Mitchum, Aubrey carved out 21 minutes of graphic footage to obtain a GP (instead of an R) rating. Some of his deletions toned down a rape scene, but when Leonard saw the result he charged: "He unilaterally and arbitrarily raped the picture...

Author: /time Magazine | Title: Show Business: Uprising at MGM | 12/27/1971 | See Source »

...immigrant repairman and Melissa Mueller shows up again as Clea, a second girlfriend whose exact motivation--if you're even inclined to bother about such matters after her most striking entrance--could be slightly troublesome. This time McCleary's set--an enormous funhouse of a room with hints of Aubrey Beardsley in its moldings--has little to do with its owners by any realistic measure, but is tremendous fun nonetheless. And Steve Downs's lighting doesn't miss...

Author: By Gregg J. Kilday, | Title: Black Comedy and the Public Eye | 10/23/1971 | See Source »

...these printmakers, one cannot say that they hesitated altering their first attempts but rather relished each stage of transformation--whether chrysalis or caterpillar--hoping that the eventual product would emerge in its aesthetically appropriate form. Of such able printmakers as Rembrandt, Canaletto, William Blake or Aubrey Beardsley, we cannot say that they shrunk from the beautiful as Oscar Wilde once declared of American artist James McNeil Whistler; "Ah, Whistler! Yes, wonderful of course, but, how he fears beauty! He puts a blot, a mere stain like a petal, a butterfly upon a sheet of paper and dares not touch...

Author: By Meredith A. Palmer, | Title: Three for the Show | 10/9/1971 | See Source »

...Army made every effort to consider Calley's actions as if they took place in a vacuum: as if Task Force Barker had taken off from a landing zone in a serene Vietnam to guide it, and only the Nuremberg principles to go by. The Army's prosecutor Capt. Aubrey Daniel, asked the judge early in the courtmartial, "We are presenting evidence at this time of a limited nature on one specific act of which Lieutenant Calley is charged. How is it relevant to bring in acts of misconduct by other people?" When this objection was overruled, he darkly warned...

Author: By Garrett Epps, | Title: Rusty Calley: His Follies and Fortunes | 10/5/1971 | See Source »

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