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Besides Leonard, a clutch of film makers are complaining about Aubrey's cutting-room tactics-and in some cases going to court-in what amounts to the biggest uprising against a major studio that Hollywood veterans can recall. Items...

Author: /time Magazine | Title: Show Business: Uprising at MGM | 12/27/1971 | See Source »

...Magwood placed a black-bordered ad in the Hollywood Reporter a few weeks ago that said: "Regarding what was our film Chandler, let's give credit where credit is due. We sadly acknowledge that all editing, post-production as well as additional scenes were executed by James T. Aubrey Jr. We are sorry." Laughlin and Magwood claim that Magwood was locked out of the MGM cutting room, and that Aubrey inserted several minutes of new footage to simplify the plot and replaced their nostalgic score with a trendy one. The result, says Laughlin, is "a completely different movie" from...

Author: /time Magazine | Title: Show Business: Uprising at MGM | 12/27/1971 | See Source »

...Producer Bruce Geller (TV's Mission: Impossible) has asked to have his name removed from the credits of his first film, Corky, which is soon to be released (directed by Leonard Home). Geller says Aubrey's changes made the central character, a violent garage mechanic, too sympathetic, played down the picture's redneck setting and eliminated a climactic murder scene. Says he: "It's not my picture any more." > Director Blake Edwards (Pink Panther, Darling Lili) has stopped post-production work on his film A Case of Need, and instructed his lawyers to file a breach...

Author: /time Magazine | Title: Show Business: Uprising at MGM | 12/27/1971 | See Source »

...Aubrey has declined to comment on the uproar, which also includes several complaints-and more lawsuits -over MGM's handling and promotion of films after the cutting stage. Since taking over the ailing studio in 1969, he has sold property and hacked away at expenses until, this year, he has brought MGM its first operating profit in four years ($7,835,000). Now, in cutting films as relentlessly as he has cut costs, he is presumably trying to capitalize on the commercial touch that he displayed back in his days as president of CBS-TV (among his hits...

Author: /time Magazine | Title: Show Business: Uprising at MGM | 12/27/1971 | See Source »

With such high stakes in the balance, discontented producers like Michael Laughlin feel little confidence that their suits will succeed. "You just can't deal with Aubrey," he says. "He realizes that litigation can be a great expense, and that because of legal delays the film will have disappeared long before your case comes to court...

Author: /time Magazine | Title: Show Business: Uprising at MGM | 12/27/1971 | See Source »

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