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...little insight into the motivation behind the characters’ actions and emotions. Viewers first meet the eight victims as stock characters, and by the end of the film, few have made any real impression. Developing a rapport with the shallow Detective Mason is no easier, ultimately hurting the audience??s appreciation for his struggle. Particularly disappointing is the intimate look at the inner workings of Jigsaw. Although Tobin Bell’s performance is the closest to respectable in the film, he ultimately fails to portray one of those “cool” villains (Hannibal...

Author: By Brian A Cantor, CONTRIBUTING WRITER | Title: Saw II | 10/27/2005 | See Source »

...little insight into the motivation behind the characters’ actions and emotions. Viewers first meet the eight victims as stock characters, and by the end of the film, few have made any real impression. Developing a rapport with the shallow Detective Mason is no easier, ultimately hurting the audience??s appreciation for his struggle...

Author: By Brian A Cantor, CONTRIBUTING WRITER | Title: Saw II | 10/26/2005 | See Source »

...Catherine transform them into couches, a bed, a pier, or whatever else they need to revisit their memories. Behind them, a series of photographs of the couple slide up and down floor-to-ceiling wires, and shield the accompaniment. Lastly, two hanging windows face either side of the audience??a detail which fits a show that feels like an extended vignette, a somewhat superficial, yet sincere, depiction of love’s bittersweet quality...

Author: By Alexandra N. Atiya, CRIMSON STAFF WRITER | Title: Actors Create Depth in Bittersweet Love Story | 10/11/2005 | See Source »

...years ago, he used a leaf-blower on stage to get the audience??s attention. In the lyrics of “Beercan,” Beck declares, “I quit my job blowing leaves,” and it seems like he finally has. There was still plenty of performance art, but none of it was frantic, and none of it felt forced. The fatherhood, the religion, the aging—it’s only turned Beck into someone who knows how to relax and be an expert performer. Not a faker...

Author: By Abe J. Riesman, CRIMSON STAFF WRITER | Title: Let Doctor Hansen Rock You | 10/7/2005 | See Source »

Monk’s closest musical relative is not an obvious candidate like Bud Powell, Charlie Parker, or even Louis Armstrong, but rather J.S. Bach. Listen to the audience??s applause after Monk’s solo on “Nutty.” Simultaneously spellbound, confused, and awed by Monk’s avant-baroque jam, they hardly know what to do with themselves. The brilliant complexity of opener “Monk’s Mood,” displaying the great pianist at his best, truly is bewildering. It is enigmatic yet familiar, warm...

Author: By J. samuel Abbott, CONTRIBUTING WRITER | Title: Review Of The Week: Thelonious Monk/John Coltrane | 10/7/2005 | See Source »

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