Word: audio
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Tony Markel, CEO of the Markel Corp., a specialty insurance firm, tried videoconferencing once before, to save money during the last recession, from 1990 to 1991. But "there were delays in the audio. We were stepping on each other's lines," says Markel, who demands strong communication and teamwork among his brokers in far-flung cities like Richmond, Va.; Toronto; Paris; and Sydney, Australia. Soon his employees were back on airplanes, and the expensive video hookups started gathering dust. So after the terror attacks last September, when travel delays were eating up the time of his employees, Markel thought videoconferencing...
...hold the viewer’s interest—which is too bad, as the video documents important influences in the Browns’ taste, such as the pueblo-style houses of Tuscon. An architecture student with some time on his hands could do worse than put together an audio component for the film...
...ring of truth. She brought luminous photographs taken in China and Italy, because she figured out that there would be no outlet to play her films. Stephen N. Smith, on the other hand, thought for some reason that the bistro would be able to meet his massive audio-visual needs, bringing a videotape and CD, both of which were useless. The videotape sounds like it would have been great, though: Steve revealed that he’s made the “fourth or fifth round” of callbacks for The Real World: Las Vegas, and he brought along...
...five disc set, each disc has Coppola’s audio commentary (Part II spans two volumes) and the supplementary disc positively brims with additional features. No less than 34 deleted scenes—some of which were inserted into television versions of the films—have found their way off the cutting room floor. Author Mario Puzo comments in his narrative and Coppola’s interviews reveal how frighteningly close The Godfather came to never being made. Add cast biographies, a Corleone family tree, Academy Award acceptance speeches, and a rare audio recording of Rota?...
Moulin Rouge, Dec. 18 ($22.49) This is the perfect chance to get inside Baz Lurhman’s head. His dizzying post-modern pastiche presents so many cultural allusions and pop-culture homages, that to comprehend them all requires multiple sittings. Now, Lurhman offers two audio commentaries to encompass the full scope of his sumptuous vision, and the second disc allows the viewer to manipulate multiple-camera angle views of the dance sequences...