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Welsh National Opera’s (WNO) production of Richard Strauss and Hugo von Hofmannsthal’s “Ariadne auf Naxos” ran at the Boston Lyric Opera (BLO) from March 12-23 in its North American premiere. The production was worth shipping across the Atlantic. Funny and well-acted, it wryly reimagines Strauss’s and Hofmannsthal’s dialogue between the comic and the serious as a commentary on the state of contemporary opera—simultaneously providing an impressive showcase for virtuoso singing...
...lends itself easily to multiple layers of self-reference and interpretation. It consists of a Prologue and an Opera, the first framing the second. In the Prologue, a prodigiously young Composer (mezzo-soprano Edyta Kulczak) is about to see his first opera, the very serious “Ariadne auf Naxos,” performed at the court of a Viennese nobleman. However, at the nobleman’s behest, the order is given for the new opera to be combined with a troop of harlequins also slated to perform that evening. The second act, the Opera proper, presents...
...second act consists of the opera proper, the Composer’s “Ariadne auf Naxos.” The audience in the opera house implicitly becomes the audience in the house of the nobleman. The popular/classical concept of the Prologue seems to get dropped in the Opera; the harlequins stop being band members and become, somewhat disappointingly, actual harlequins (although one does wear sunglasses). The Opera itself could be substituted in any other production of “Ariadne auf Naxos” without much loss of continuity...
...special exhibition at The Met (I hope you’re reading this, Anna), is also the hottest trend for this year. As determined by me. Because I can’t be the only one on this campus dressing like Heidi Klum just told me “auf Wiedersehen.” On your next trip to Oona’s—mine are weekly—think about your future party pics in a boring lecture hall, not a sweaty dining hall...
...character invented by the popular adventure-story writer Karl May called Hadschi Halef Omar Ben Hadschi Abul Abbas Ibn Hadschi Dawuhd al Gossarah - say it does not necessarily prevent long names, since it applies only to names conjoined by a hyphen. A name like Schulze zur Wiesche-Meyer auf der Heide would still be allowed, notes Götz, even though it's seven words long...