Word: auf
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Dates: during 1960-1969
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...quite the purity and control of four or five years ago, and the acoustics of the HST seem bright and clear almost to a fault. Handel's Care selve, for example, suffered from too many changes of vocal color within its long phrases, and the exaltation of Schubert's Auf dem Wasser zu singen was conveyed more in the singer's facial expression than in the somewhat imperfect articulation of the notes. Madame Schwarzkopf's historical curiosity got the better of her usually flawless taste when she chose to sing a version of Mozart's Voi che sapete "with embellishments...
...Bluemen, were projected with mastery; no less remarkable--for Schwarzkopf dearly loves a song in which she can be girlish and winning--was the sly humor of In dem Schatten meiner Locken ("In the shadow of my tresses, my lover fell asleep"), where the phrase "Weck'ich ihn nun auf? Ach nein!" ("Shall I wake him? Ah no"), repeated three times, was first coy, then a bit reproachful, and finally just the merest sigh of content. The Wolf group was lengthened by two encores, which Miss Schwarzkopf announced and (bless her!) translated: an exultant Ich hab' in Penna (a catalogue...
Strange Shriek. As a trained singer himself (even when he was 93 he used to quaver through the scores of Mussorgsky's Boris Godunov or Strauss's Ariadne auf Naxos), Shaw saved some of his sharpest shafts for vocalists. Of the famed Italian Tenor Enrico Tamberlik, appearing in Rossini's Otello, he wrote: "He sings in a doubtful falsetto and his movements are unmeaning, and frequently absurd. For the C sharp in the celebrated duet L'ira d'avverso fato, he substituted a strange description of shriek at about that pitch. The audience, ever appreciative...
cini began the opera in 1920 without completing it in nter of 1924. Alfano finished ork by 1926, only shortly af Berg's Wozzeck had re its Berlin premiere. Though was written well after the experiments of Schonberg neo-Classic references of Strauss' Mosartean operas, osenkaveller and Ariadne auf it shares few similarities them. Rather, its dissonance something in common with the harmonies of Stravinsky's rd, written over a decade , and even more with Rim colorful orchestral Turandot is a strange operatally original work of art that aptly be labelled "reactionior its times...
...seen my old wartime friends for many years, and was overseas at the time of General Marshall's death [when Mauldin drew his last Willie and Joe cartoon]. How about reproducing the 1959 cartoon for those of us who never had a chance to say a proper auf Wiedersehen to those old dogfaces...