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Engell, who teaches courses on Augustan-ageliterature, late 18th century authors and majorcritical approaches, could not be reached forcomment yesterday...

Author: By Xiaomeng Tong, | Title: Levenson Prize Recipients Honored | 5/10/1995 | See Source »

...sheer weight of detail may almost be dizzying to a newcomer, the text is enlivened at every turn by all the familiar props of the Hughes voice -- the mischievous erudition (translating a Latin motto as "Far down! Far out!"), the rococo diction ("fribblers" and "cutpurses" abound) and the Augustan bite (asides that wither "the mingy veneering of today's 'lite' architecture"). Beneath the virile lucidity of the prose, however, is a subtle and sensitive mind that can lead the reader, patiently, into complexity: "In Gaudi one sees flourishing the egotism achieved by those who think they have stepped beyond...

Author: /time Magazine | Title: A Story of Vim and Rigor | 3/16/1992 | See Source »

...true that slavery had been written into the basis of the classical world. Periclean Athens was a slave state, and so was Augustan Rome. Most of their slaves were Caucasian. The word slave meant a person of Slavic origin. By the 13th century slavery spread to other Caucasian peoples. But the African % slave trade as such, the black traffic, was an Arab invention, developed by traders with the enthusiastic collaboration of black African ones, institutionalized with the most unrelenting brutality, centuries before the white man appeared on the African continent, and continuing long after the slave market in North America...

Author: /time Magazine | Title: The Fraying Of America | 2/3/1992 | See Source »

...instance, or Marino Marini's sculpture -- the % emphasis shifted from Roman marbles and Greek urns to the rougher, more vital- looking frescoes and terra-cottas of the Etruscans. The idea was to recapture a sense of antiquity that connoted a spirit of place, an Arcadian flavor, more Hesiodic than Augustan...

Author: /time Magazine | Title: Art: Modernism's Neglected Side | 8/13/1990 | See Source »

...arrival of Mussolini was greeted with rapture by so many leading artists and intellectuals. The Fascist rhetoric of dynamism and machine efficiency meshed with (and was partly inspired by) that of futurism; while the Duce's promise of a renewed empire, a "third Rome" that would replay the Augustan past, had immediate appeal to nostalgists like De Chirico, Carra and even Giorgio Morandi...

Author: /time Magazine | Title: Art: Raw Talk, but Cooked Painting | 4/3/1989 | See Source »

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