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Word: aumont (lookup in dictionary) (lookup stats)
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...Montez the most fascinating women who ever lived, which I do not, the Atlantic image falls let. Miss Montez carefully avoids any acting and just stares blankly like a hungry cow. She seeks charm by making her clothes from veils and by using a Spanish accent, but Jean Pierre Aumont triumphs completely in the battle of the accents, and all Maria has left are a few sexy poses...

Author: By Edward J. Sack, | Title: The Moviegoer | 2/11/1949 | See Source »

...lost in that old sandstorm you remember from several other pictures, and wind up in mysterious Atlantis, Maria Montez rules this land with an iron bosom. She kills people right and left and has their bodies encased in metal for an interesting trophy room. Although she ensnares Jean Pierre Aumont, he manages to escape, and then tries to return for no better reason than to follow the "Lost Horizon" plot...

Author: By Edward J. Sack, | Title: The Moviegoer | 2/11/1949 | See Source »

...wheel in this novel civilization is a slinky siren named Antinea (Maria Montez). When a couple of the Foreign Legion boys (Jean Pierre Aumont and Dennis O'Keefe) blunder into her boudoir cooking for a missing French archeologist (he shows up eventually, tidily gold-leafed in the Visitors' Gallery), she plays them off against each other. Then she plays both off against the old embalming fluid...

Author: /time Magazine | Title: The New Pictures, Jan. 17, 1949 | 1/17/1949 | See Source »

Strong men go mad over the lush Antinea, which is a great mistake. Under her spell, Legionnaire Aumont kills his pal in a fit of jealousy. When he in turn gets buried in a sandstorm, Antinea is left to a pulsating game of chess with the household embalmer, whose tongue has been cut out-because he talked out of turn. For determined viewers who stick it out to the very end, the newsreel may still save...

Author: /time Magazine | Title: The New Pictures, Jan. 17, 1949 | 1/17/1949 | See Source »

...Aumont plays the liar-adventurer and does it very well. He is wholly creditable as the fatal charmer, an exceedingly difficult job to do without making the character a slippery heel. He injects a good deal of humor into his acting, notably through gestures. Despite this, however, the characters of the wife and daughter are more intriguing, if less whole. Arlene Francis plays the wife with a restraint that suggests that there is more to her than the script will allow. Her part is brief and disturbing; the audience is hardly allowed to make more than a "cocktail-party analysis...

Author: By George A. Loiper, | Title: Figure of a Girl | 1/13/1949 | See Source »

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