Word: aural
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Dates: during 1960-1969
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...learned to hear pieces of music more than once and thus have acquired a training in hearing musical structures." That kind of knowing audience has made possible a new mode of composition in which snippets from, say, the Baroque, French Impressionism and Viennese post-Romanticism are pasted into surrealistic aural collages that would lose much of their point for anyone who had not heard LPs of the originals. Perhaps the outstanding example of that style is Berio's four-movement Sinfonia, a great critical success last fall when premiered by the New York Philharmonic (TIME, Oct. 18). This week...
...loneliness and remembered passion. But each monologue is fragmented, interspersed with the others, phrased, sometimes from the point of view of age, sometimes of youth-and always arranged around tense, troubled silences. Under Peter Hall's sensitive direction, it soon becomes evident that Pinter is using these jagged aural spaces to signify not only the passage of time but also the distance between people and the emptiness of their worlds. But where does he go from there...
MUSIC is moving into a more pungent commerce with the particulars of life. And cries of anarchy are beside the point. Anarchy is rapid evolution misperceived as chaos. Artists such as John Cage or Lukas Foss create through their irreverance. Their improvisatory music suggests that the entire aural material of man's sensible life is exquisite and repulsive music, according to the mental inflection one lends...
...work and no play. The dancers pound the floor boards like maniacal trip hammers. Sweat glazes the hero as his arms flail, his eyes pop, and he tries to kick his toes into the wings. To amplify the hollow book, microphones soup up the sound till it becomes the aural equivalent of the medieval ordeal by fire. George M!-the latest of the Broadway season's unbroken string of execrable musicals-qualifies on all counts...
...series of almost blank abstractions-freestanding blocks representing water, forests, industry-is bathed in an electronic score, by Canadian Broadcasting Corporation Staff Composer Gilles Tremblay, in which lab-produced whir, twitter and roar complement the visual suggestions. High overhead the individual sound tracks collide and coalesce into a contrapuntal aural landscape...