Search Details

Word: aural (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

When Sanders chose to really play,instead of clowning around with the audience, hewas forceful and inspiring. At its best, the groupused the static harmonic framework of a model vampto create a spacious aural landscape. The courseof each tune was directed more towards detailingthat landscape than drawing out the linearprogression typical of most jazz improvisation. Attimes, the screams emanating from Sander's hornseemed like fiery blasts from the bowels of theEarth as the group reached a peak of model frenzy.Sanders seemed incapable of sustaining theenergy-level that this type of music demands,though, so these moments of epiphany werefleeting...

Author: By Eric D. Plaks, | Title: A Soulful 'Pharoah' Seeks to Please | 4/27/1995 | See Source »

Trance is electronic music often built on dance beats, but considerably slowed down. Creative and eclectic sampling lies at the heart of trance, and its success depends on creating a rich aural texture. The theme of trance music was often an aural voyage, a good trip ravers could take while on a bad trip...

Author: By Joel Villasenor-ruiz, | Title: Entranced by the Beat | 4/20/1995 | See Source »

Titanic has much the same structure. Evoking the incredible fortitude of the musicians who kept playing until the ship sank, the hymn Autumn (which bears a striking resemblance to Amazing Grace) is repeated over and over while its aural environment gradually changes. Modular in construction, the work can be performed at varying lengths. "As you know, water is a highly efficient conductor of sound," explains Bryars. "Obviously, it was impossible for the band to keep playing under water, but theoretically the music has just kept on going, forever. That's the feeling I was after...

Author: /time Magazine | Title: RAISING THE TITANIC | 3/13/1995 | See Source »

...believe in artists," said the hero of Tom Stoppard's play The Real Thing. "I believe in singles." The joy and curse of Elton John's music is that every song on every album has eyes to be a hit single. These are super-productions, aural Busby Berkeley numbers, ascending an oratorical mountain to the sky-rocketing crescendo. And, on Made in England, they sound swell; there's heft and meaning in the songs--no throwaways. "Since I've been sober I've made three albums, and this is the best," he says. "Getting adjusted...

Author: /time Magazine | Title: ROARING BACK | 3/13/1995 | See Source »

Information on the Web, often organized into hypertext "pages," ordinarily includes not just textual but also graphical and even aural data. That is, users of the Web expect to encounter graphics to punctuate the text at every turn. If the saying "a picture is worth a thousand words" is true, then graphics are vital to reduce information overload on-line...

Author: By Eugene Koh and Douglas M. Pravda, S | Title: Exploring the World Wide Web | 12/6/1994 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | Next