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Titanic has much the same structure. Evoking the incredible fortitude of the musicians who kept playing until the ship sank, the hymn Autumn (which bears a striking resemblance to Amazing Grace) is repeated over and over while its aural environment gradually changes. Modular in construction, the work can be performed at varying lengths. "As you know, water is a highly efficient conductor of sound," explains Bryars. "Obviously, it was impossible for the band to keep playing under water, but theoretically the music has just kept on going, forever. That's the feeling I was after...

Author: /time Magazine | Title: RAISING THE TITANIC | 3/13/1995 | See Source »

First, the text-based nature of most Internet tools is a limiting factor. Often, a user needs to access visual or aural information, and this becomes tedious when the primary navigation tools offer no graphics, no sound, just text...

Author: By Eugene Koh and Douglas M. Pravda, S | Title: Exploring the World Wide Web | 12/6/1994 | See Source »

Information on the Web, often organized into hypertext "pages," ordinarily includes not just textual but also graphical and even aural data. That is, users of the Web expect to encounter graphics to punctuate the text at every turn. If the saying "a picture is worth a thousand words" is true, then graphics are vital to reduce information overload on-line...

Author: By Eugene Koh and Douglas M. Pravda, S | Title: Exploring the World Wide Web | 12/6/1994 | See Source »

...Tower record, video and book stores, says the chain sells 4,000 zines a month. The supply always changes, of course. Dozens of new titles pop up and fold each month and focus on everything from the benign to the outre. 8-Track Mind, for instance, extols the aural experience of listening to eight-track tapes. ANSWER Me!, on the other hand, claims to tap "primal longings for violence," according to its 33-year-old publisher, Jim Goad. Issues have contained the text of an actual phone conversation between euthanasia advocate Dr. Jack Kevorkian and a woman pretending...

Author: /time Magazine | Title: IDEAS: Zine But Not Heard | 9/5/1994 | See Source »

...deconstruction so much as demolition. His long-touring Musical Depreciation Revue was a frontal assault on sonic propriety. Even his nickname was an action verb, pithily expressing what the man did to music. He drove it into the ground, he impaled it on a drumstick, he laced it with aural rotgut, he deleted it from all genteel associations. He spiked...

Author: /time Magazine | Title: MUSIC: Spike Up the Band | 6/13/1994 | See Source »

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