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...variety, rather like a discarded thought from Agnes de Mille's brain. To save the saddest for last, much of the show's score sounds like an aside from Sondheim. Fragmented strains from Pacific Overtures, A Little Night Music, Company and Follies filter through the air like aural ghosts. One ballad, Not a Day Goes By, beautifully captures the bittersweet mystery of love, and the single smash number of the musical, Good Thing Going, has the stamp of permanence about it. Frank Sinatra, who has impeccable judgment in such matters, has already recorded it in his current album...

Author: /time Magazine | Title: Theater: Rue Tristesse | 11/30/1981 | See Source »

Jack (John Travolta) is a sound man, in two ways: he devises aural effects for films, and he carries himself with an air of unassuming rectitude. One night, while on a field trip to tape the whistling wind for a horror movie, he hears the air punctured by the explosion of an automobile tire and sees a car careen through a bridge railing and into the water below. The car contains a presidential hopeful and his lady of the evening, Sally (Nancy Allen). Jack dives in and saves her, but is later warned by police and friends of the deceased...

Author: /time Magazine | Title: Cinema: Bad Crash | 7/27/1981 | See Source »

...rolling along with the sounds is also a form of aural self-defense for some, such as New York TV Producer Anthony Payne, 34. "There are buses, airplanes, sirens," says Payne. "You have to replace them with something louder, by force-feeding your own sounds into your ears." Manhattan Computer Executive Michael Starr, 43, suggests that the private concert "is a great way of snubbing the world. Can you imagine if Philip Roth had had one growing up? He'd never have written Portnoy's Complaint. He never would have heard the nagging...

Author: /time Magazine | Title: Living: A Great Way to Snub the World | 5/18/1981 | See Source »

...cloud over the cachet. ECM has taken some heat for issuing smug, snug suburban jazz, and, perhaps in response, Eicher has brought some fringe groups into the fold. He has released two records by the Art Ensemble of Chicago, who lay down a kind of ripped and fragmented aural collage, as well as an acetylene album by Old and New Dreams, a group of former Coleman sidemen, populated by such wizards as Don Cherry and Charlie Haden. "We want controlled contrast," Eicher says, and to prove it ECM has released two albums by Steve Reich that are less jazz than...

Author: /time Magazine | Title: Music: Sounds from a White Room | 4/27/1981 | See Source »

...idea is not simply to mike the actors and jack up their volume; Breuer says that in wedding the aural techniques of radio and film to the visual images of a stage, he is using conventions the audience already understands but has never seen yoked together. The ancestor of this idea is the film director's voice-over: "It's theater about the way you think. When you think, there's about the way you think. When you think, there's a voice in your head, like someone speaking in your ear, and then there are abstract images...

Author: By Scott A. Rosenberg, | Title: No 'Harumphs' | 12/15/1980 | See Source »

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