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...Take her to the cloakroom!" from the gallery. Despite the furor, Callas and Norma were judged a triumph by the Paris critics. WHO CARES ABOUT A LITTLE B-FLAT, headlined Paris Presse. This week, at the conclusion of Norma's run, everyone agreed that Director Georges Auric, 65, who was hired two years ago on his promise to "bring a breath of new life" to the Paris Opera, had delivered the most exciting season in recent memory...

Author: /time Magazine | Title: Opera: Right in the Heart of Paris | 6/26/1964 | See Source »

Died. Francis Poulenc, 64, prolific French composer, a tall, ruddy-faced man with a boisterous Gallic wit, who at 18 wrote his piano showpiece Perpetual Motion, shortly thereafter joined the rebellious "Les Six," a group of young composers (among them: Darius Milhaud, Arthur Honegger, Georges Auric) that left a bright mark on contemporary French music; of a heart attack; in Paris. In later years Poulenc's gay, airy theatrical music gave way to a more highly sustained and emotional style in such formidable pieces as The Dialogues of the Carmelites, a melodic opera based on the 1789 martyrdom...

Author: /time Magazine | Title: Milestones: Feb. 8, 1963 | 2/8/1963 | See Source »

...voodoo the better to serve Marxism. On another occasion, he liquidated a sadistic Russian agent who had secretly taken over a Caribbean isle and was all ready to divert U.S. missiles launched from nearby Cape Canaveral. In one of his most brilliant coups, Bond thwarted a SMERSH fiend named Auric Goldfinger, who tried to explode an A-bomb in Fort Knox in order to seize, naturally, all the U.S. gold; Goldfinger was so deeply committed to the gold standard that he could only make love to women coated in 14-carat gold paint...

Author: /time Magazine | Title: Espionage: 007 v. SMERSH | 6/29/1962 | See Source »

...Composers Francis Poulenc, Georges Auric, Vittorio Rieti and Pianist Marcelle Meyer...

Author: /time Magazine | Title: Music: Homage to Stravinsky | 1/4/1960 | See Source »

Rouleau, however, does far better as a director. In a series of remarkably effective close-up shots he manages to dramatically convey the tension, uncertainty, and fear of the people of Salem. Except for an overly chaotic courtroom scene, the picture is smoothly and intelligently handled. (George Auric's score, incidentally, masterfully underlines the terror of the townspeople...

Author: By Alice E. Kinzler, | Title: The Crucible | 10/6/1959 | See Source »

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