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...progression is his film guides the action slowly from full minute to full minute. In a final sequence, however, De Sica rises almost to the surreal. To the swelling of a chanted exhortation to "Pray for all of us who fell at the hands of murderers in Dachau, Auschwitz and Treblinka...," De Sica leaves the scene of Micol's proud resignation to look one last time at the dome of Ferrara's synagogue, the implied emptiness beneath her tiled roofs, and a rusty padlock on the gate to the garden of the Finzi-Continis. With a camera eye that...

Author: By Celia B. Betsky, | Title: The Garden of the Finzi-Continis | 2/16/1972 | See Source »

Some listeners, however, have been markedly cool-for example, to Yevtushenko's repeated attempt to equate the American bombing of North Viet Nam and the assassination of the Kennedys and Martin Luther King with the Nazi massacres at Auschwitz, Dachau and Babi Yar. "Children's huts/ Bombed at night/ Burn in your fire/ Just like your Bill of Rights," he declaims, pointing an accusing finger across the footlights. At the Felt Forum many in the audience booed or left the hall. Eugene McCarthy, who had agreed to participate in the recital, flatly refused Yevtushenko's request that...

Author: /time Magazine | Title: Show Business: Antic Yevtushenko | 2/14/1972 | See Source »

...Hurok offices, he said, have "the stench of Auschwitz...

Author: /time Magazine | Title: CRIME: Bombs for Balalaikas | 2/7/1972 | See Source »

...artist in a New York advertising agency. In 1939, because he was a Jew in Nazi-occupied Prague, he had to leave art school. In 1941, at age 18, he was sent to Terezin, a camp the Nazis used as a staging point for deadlier installations like Auschwitz. Kantor went there too, in 1943, but was saved from death because he was still strong enough to be drafted for work at a camp that provided laborers for a synthetic-fuel factory. In a brief introductory narrative, Kantor explains all this, and outlines what life and the presence of death were...

Author: /time Magazine | Title: Books: Bearing Witness | 1/10/1972 | See Source »

...could. Horror, of course, is organic to the world Kantor drew. He shows naked bodies being disgorged from a room after Cyclone-B gas has just been tested; the forlorn, rumpled figure of a woman in the snow who committed suicide by touching the high-tension barbed wire around Auschwitz; SS guards abusing prisoners. But he also has dozens of other details-women carrying soup in heavy barrels, prisoners being mustered for work, men searching for lice, sick call, scenes in a mess hall-until the whole experience seems so matter of factly part of life that it cannot...

Author: /time Magazine | Title: Books: Bearing Witness | 1/10/1972 | See Source »

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