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...figures of the Old Testament rather as if he were writing a memoir about beloved but salty grandfathers and great-uncles from the East Side. Certainly Moses and Cain and Abel and even Adam seem as pungently real to him as the Jews he knew as a child in Auschwitz and Buchenwald. In returning to the first Diaspora, the first murder, the first exile, Author Wiesel appears at last to have found a meaning, if not an excuse for the Holocaust he has borne witness to so brilliantly and compulsively in haunted books like One Generation After and in plays...

Author: /time Magazine | Title: Books: Notable | 7/12/1976 | See Source »

Your reviewer charges me with bad taste in using Dr. Josef Mengele, late of Auschwitz, as the villain of my novel The Boys from Brazil [Feb. 23]. I must concede that what I have done is almost on a par with putting a would-be assassin on the cover of a national magazine or publishing a list of a dead President's rumored mistresses...

Author: /time Magazine | Title: Forum, Mar. 15, 1976 | 3/15/1976 | See Source »

...forget the grainy documentary film sequence that shows Dr. Josef Mengele greeting new arrivals at Auschwitz? Handsome as a matinee idol in his uniform, he blithely chooses the men, women and children for genetic experiments. Those not gently nudged aside by his baton go more quickly to their deaths in the gas chamber...

Author: /time Magazine | Title: Books: Rosemary's F | 2/23/1976 | See Source »

...through this labyrinth of death by expressionless guards with drawn sub-machine guns and attack dogs. With Wagner's The Ride of the Valkyries punctuating its grisly movements, the camera catches sight of the grotesque forms of the hanged above the melee, pausing to observe the ironic inscription from Auschwitz which overlooks the courtyard: Arbeiten macht frei. Through this domain of death stalks its mistress, an obese female commandant whose impassive visage makes her the least human element of the picture. The tableau brings to mind Dante's Inferno as Goya or Bosch might have rendered it, but without...

Author: By Jonathan Zeitlin, | Title: Amare Macht Frei | 2/12/1976 | See Source »

...composed in 1944 inside Theresienstadt, a "model" camp. The piece was in rehearsal but was banned after a similarity between the Emperor and the Führer was detected. Composer Viktor Ullmann, prolific in prewar Vienna, and Librettist Peter Kien, a young painter and poet, were later sent to Auschwitz, where they died. Their manuscript was rediscovered in London three years ago by British Conductor Kerry Woodward, who presented it with The Netherlands Opera Company in Amsterdam...

Author: /time Magazine | Title: Music: A Gallows Opera | 12/29/1975 | See Source »

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