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...Duke University in North Carolina, an English-department course uses plays and films to pursue the theme that organized crime "is a metaphor for American business as usual." Another Duke offering condemns a heterosexual bias in traditional Western literature; its professor has written about such topics as "Jane Austen and the masturbating girl...

Author: /time Magazine | Title: Upside Down in the Groves of Academe | 4/1/1991 | See Source »

...Jane Austen's estate, even at this minute [laughter]. There really is no strict definition of what is going too far with parody. Parody is generally okay, but characters are trade marked, they're not copyrighted. And we actually had Bambi with bullets around her neck and we took the skunk and made it into a cigar-chomping sergeant, and that's stuff we probably couldn't have done. It would have been interesting to test the case, but not with our own money...

Author: NO WRITER ATTRIBUTED | Title: A Talk About Sequels | 2/8/1991 | See Source »

...best) self-conscious and (at worst) self-absorbed mindset of the preppy class. The characters are not the flat stereotypes who populate bad teen films, but realistic characters with a painful sense of the past and their responsibility to it. They discuss French social theorists and Jane Austen, changing social mores and downward socially mobility. They still fancy virginity as something virtuous, and date in groups...

Author: By Kelly A.E. Mason, | Title: Exploring the Upper Class: Stillman's Work Promising | 9/21/1990 | See Source »

...best, Metropolitan is a clever comedy of manners in the best Austen tradition. Characters accuse each other of being "public transportation snobs." They coin terms like "urban haute bourgeoisie" to describe themselves. They ponder the lengthy duration of preppy adolesence, and play bridge...

Author: By Kelly A.E. Mason, | Title: Exploring the Upper Class: Stillman's Work Promising | 9/21/1990 | See Source »

METROPOLITAN. In this fizzy, poignant social comedy, a group of preppies lounge in a Park Avenue salon. They discuss Jane Austen novels, speak in Henry James sentences and try to live in Philip Barry's plays. Their manners are ) impeccable (a deb can be paid no higher compliment than being called "well read"), their snobbery impregnable (one boy doesn't have a driver's license because, he tuts, "I'm no jock!"). They know they are out of fashion and cheerfully debate their irrelevance, like dinosaurs analyzing their own bones. Most of them are moneyed, but they soon must admit...

Author: /time Magazine | Title: Critics' Voices: Sep. 3, 1990 | 9/3/1990 | See Source »

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