Word: austins
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...School administrators did not allow Calero to begin his speech, which had already been moved from its original location in Austin Hall's Ames Court Room to Langdell Hall because of a bomb scare...
...great and to con the local crooks. Well, no. As played by Jeff Bridges and Kim Basinger, they are an "un" couple: unsuitable emotionally, underdeveloped dramatically. The picture is plenty handsome, and Glenne Headly and Rip Torn have some fun as a lost lady and the meanest guy in Austin, Texas. Still, Nadine, an agreeable entertainment, is a disappointment from a fine filmmaker. This shaggy tale of his native state has a place in Benton's heart...
...commonest accusations was that if Goetz had been black and his victims white, he would have been severely punished, which may be true. But few recall the case of Austin Weeks, then 29, a black who was riding a subway train through Brooklyn in April 1980 when he was accosted by two white youths, both 17. One of them, Terry Zilimbinaks, leaned over Weeks in his seat and uttered a number of racial insults. Weeks took out an unlicensed pistol, according to police, and shot Zilimbinaks dead. Like Goetz, Weeks slipped away unnoticed. Unlike Goetz, he did not turn himself...
...fact, remembering broken-down prodigies like Tracy Austin and Andrea Jaeger, her father has required her to rest every year from late November to mid-January, and to the dismay of tournament promoters, has kept her schedule reasonable. "Sometimes I have to be Mr. Graf," he says. "It's no fun." But the results have been as sweet as hot raspberries. "She is a champion from within. All from within," he says. "But her extra advantage may be the circle around her -- her mother and brother too." (A practice partner, Czech Pro Pavel Slozil, takes care to coach in whispers...
Willy Russell's Rita was a risky choice for Steppenwolf and the two performers, Austin Pendleton and Laurie Metcalf: audiences were likely to have vivid memories of the 1983 film that won Oscar nominations for Michael Caine and Julie Walters as a drunken, shambling university teacher and his bright but unschooled adult-education pupil. But the troupe has put its own stamp on the show, particularly in Metcalf's performance, which persuasively blends resurgent hope and hints of fiercely suppressed desperation. The romance that dominated the film is played down, and the title character emerges as no winsome waif...