Word: austrian
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ERGO is a feverish farce by Austrian Author Jakov Lind, fervently directed by Gerald Freeman...
Konrad Lorenz, the Austrian-born naturalist, believes that human aggressiveness is the instinct that powers not only self-preservation against enemies but also love and friendship for those who share the struggle. Overcoming obstacles provides selfesteem; lacking such fulfillment, man turns against handy targets-his wife, even himself. Polar explorers, deprived of quarrels with strangers, often start to hate one another; the antidote is smashing some inanimate object, like crockery. Accident-prone drivers may be victims of "displaced aggression." The once ferocious Ute Indians, now shorn of war outlets, have the worst auto-accident rate on record...
Nonetheless, theologians also acknowledge that only God is the final judge of who can rightly be considered a Christian. Austrian Jesuit Theologian Karl Rahner, for example, suggests that there is today "an invisible Christianity which does indeed possess the justification of sanctifying grace from God. A man belonging to this invisible Christianity may deny his Christianity or maintain that he does not know whether he is a Christian or not. Yet God may have chosen him in grace." Similarly, the late Protestant theologian Paul Tillich contrasted the "manifest church" of confessed believers with what he called the "latent church," whose...
Some of the more satisfying of this season's offerings in Manhattan's smaller theaters: Ergo, a wacky expressionist exercise by Austrian Writer Jakov Lind; In Circles, an aptly named circular play by Gertrude Stein set to circular music by Al Carmines; Iphigenia in Aulis, a Euripedean antiwar drama that has lost little of its force through the centuries; The Indian Wants The Bronx, Israel Horovitz's study of the savagery that can lurk on any street; Your Own Thing, a marvelously modern, inventive and sophisticated rock version of Twelfth Night...
This play by Jakov Lind, an Austrian Jew who now lives in London, is a brutal, bitter, boring and unsubtle savaging of German-or is it Western?-culture. Fortunately, it is also a brilliant production, supervised by Central Park's old Shakespeare wallah, Joseph Papp...