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...years, up to 1918, his country was dominated by a Western power, the Austro-Hungarian Empire. The Czechs' only hope was that a strong nation of similar Slavic culture, sensitive to Slav desires for self-determination, would help her drive for independence. The Russian Bolsheviks during the crucial years of World War I, became her champion...

Author: By Michael J. Barrett, | Title: Czech Professor On the Crisis: Optimism and No Fear of Russia | 8/9/1968 | See Source »

...fortyish exile returned from Palestine after World War I to the East European town of his youth. Moving into a small hotel, the wanderer becomes "that man who was a guest for the night and stayed for many nights." Agnon himself was born in the Galicia region of Austro-Hungarian Poland, went to Palestine as a very young man, then back to Europe during World War I before returning to his adopted homeland. Obvious elements of disenchanted autobiography are present in the words that another character speaks to the guest: "When a man sees that there is no place...

Author: /time Magazine | Title: Books: The New Wandering Jew | 4/19/1968 | See Source »

...four months ago. About to begin commercial-airline pilot training, he was ordered back to duty with Squadron VA831. "I'm not upset," said Dodge. "I'm very anxious to see justice done." Another who felt the same way was Marko Jukica, a naval gunner in the Austro-Hungarian fleet during World War I. On mobilization day, Jukica offered his services to the Navy, was politely turned down when he admitted that he was 79 years...

Author: /time Magazine | Title: Armed Forces: Back in Uniform | 2/2/1968 | See Source »

Good Listeners. Before World War II, critics customarily spoke of two major pianistic schools: the dynamic, aloof virtuosity of the Russians (Rachmani noff, Horowitz) and the poetic, relaxed, scholarly Austro-Germans (Schnabel, Serkin). Graffman typifies what may some day be known as the American school, but isn't yet: a synthesis of the best pianists from prewar Russia and Germany, with a range of styles that adapt to any music. "Rachmaninoff," he says, "approached everything the same way. But I approach Prokofiev totally differently from Beethoven, and Beethoven differently from Bach. The difference in approach has to do with...

Author: /time Magazine | Title: Pianists: The Busy Eclectic | 12/29/1967 | See Source »

...breakup of empires has always given rise to new states. After World War I, the Paris Peace Conference put together Czechoslovakia and Yugoslavia from disparate (and still not fully united) remnants of the Austro-Hungarian monarchy and independent Serbia. The collapse of the colonial empires after World War II brought about a rash of such arbitrary creations. Many ex-colonial countries had sovereignty conferred on them by their former masters under the U.N.'s aegis, without the often salutary experience of having to fight for their freedom. Such countries are apt to be based on arbitrary old colonial boundaries...

Author: /time Magazine | Title: Essay: ON FACING THE REALITY OF ISRAEL | 6/23/1967 | See Source »

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