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Word: auteurism (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...Blows) and was kicked out of the French army (an incident that begins Stolen Kisses). Luckily for Truffaut, the great film critic André Bazin saw in the layabout a ferocious intelligence begging to be channeled. By his early 20s, Truffaut the critic was trumpeting the cause of auteurs, directors whose point of view and command of visual style entitled them to the respect given novelists and painters. In 1958, at 26, he directed The 400 Blows, brought the new wave of film makers to its crest and became a budding auteur. With fellow New Wavers Jean-Luc Godard...

Author: /time Magazine | Title: Wild Child, Movie Master | 11/5/1984 | See Source »

There is a tough face to Spielberg. "You have to ride people hard," he says. "You have to say things more than once. About the third time you get what you want." Still, this is hardly the portrait of the director as autocratic auteur, in the French model. In fact Spielberg is the kind of American, extremely intelligent and utterly unintellectual, who can baffle Europeans. He claims without regret that his mental development stopped at 19. When he says he is not satirizing the amiable suburban householders of Poltergeist, who never turn off their television set, he means...

Author: /time Magazine | Title: Cinema: Staying Five Moves Ahead | 5/31/1982 | See Source »

...mood, moguls turned frantic, searching their silk purses for overpriced sows' ears. Penny pinching was back in style, and the omnipotent auteur was on the ropes. U.A. Executive Steven Bach, who once called Cimino "the Michelangelo of film," now pointed out that his director had been "behind five days in shooting- in six days." Universal's Ned Tanen noted that The Deer Hunter, which his studio coproduced, had gone 50% over budget. Sherry Lansing of 20th Century-Fox assured the company's owner-to-be, Marvin Davis, that "there are no Heaven 's Gates here." When...

Author: /time Magazine | Title: Cinema: Hollywood Harakiri: Take 2 | 5/4/1981 | See Source »

...video rather than film. But the concept of actors and artisans under contract recalls the studio system that flourished for 40 years and died out in the '60s. Can Zoetrope work? Can it be profitable? Will a dozen cantankerous directors chafe under the effusive rein of an auteur-mogul? Many people in the New Hollywood, including some of Coppola's competitors, hope he makes it. Others are more skeptical. Says Ned Tanen: "Francis has all the answers. Too bad someone doesn't give him the questions...

Author: /time Magazine | Title: Cinema: The New Hollywood: Dead or Alive? | 3/30/1981 | See Source »

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