Word: auteurism
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Dates: during 2000-2009
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...Japan's most prolific genre has been Pink Eiga - soft-core, low-budget sex films. It's served as a training ground for young directors; the NYAFF showed an early effort by Yojiro Takita, who won the foreign-language Oscar this year for Departures. Goto, the current hot Pink auteur, was represented by the sweeter-than-it-is-sexy Blind Love, a twist on Cyrano de Bergerac, with a ventriloquist using a friend to woo (and have sex with) his inamorata. Lalapipo (Lot of People), set in the teeming, tumescent world of the porn industry, is an agreeably demented farrago...
...these movies found their audiences through word of mouth. Transformers 2 got its gigantic turnout through brand recognition and auteur pull. No question: when director Michael Bay and executive producer Steven Spielberg get out their toys to play, people will pay to watch - even if it's a not-very-interactive video game in which the stars (Shia LaBeouf and Megan Fox), and the audience too, are essentially passive onlookers at a 'bot convention where fights keep breaking out. For 2½ hours. The machine-made movie attracted nearly 30 million North Americans in the past few days...
...Imaginarium of Doctor Parnassus (Terry Gilliam) After Heath Ledger died last year while shooting this film, Johnny Depp, Jude Law and Colin Farrell stepped in to complete aspects of his role. Their gallantry and Ledger's enduring charisma aside, the film is a sodden botch from the mad-genius auteur of Brazil...
...Bill movies and Death Proof - Basterds draws portraits of strong women facing down evil men; and in Shoshanna (Mélanie Laurent) and Third Reich screen star Bridget von Hammersmark (Diane Kruger) he's created two of his fullest female portraits. But Basterds is long and, for the hypercharged auteur, surprisingly wan. It has to be declared a misfire. (See pictures of the Cannes 2009 red carpet...
...Trier's longtime cinematographer Anthony Dod Mantle (Oscar winner for Slumdog Millionaire), Antichrist was greeted at Sunday evening's critics' screening with some appreciative applause and rather more vigorous boos, and gave plenty of ammunition to both sides. Yet you can say something about the 53-year-old auteur that couldn't be applied to everyone with films in the competition: he's a real moviemaker, a composer of rich imagery as evocative as it is provocative, a master matador at waving a red cape in front of the most jaded viewers and getting them to charge...