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Word: auteurism (lookup in dictionary) (lookup stats)
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...that revolution was ancillary. (So was the Blowup rave-up performed by the Yardbirds, including the young Jimmy Page and Jeff Beck.) Artistically, Antonioni was after bigger game, and bagged it. As critic Adriano Apra says on the Criterion edition of Eclipse: "In film each auteur gives us his distinctive perception of the world. Antonioni goes beyond that. He always invents a world of his own." Apra means that literally, especially regarding the director's first two color features...

Author: /time Magazine | Title: When Antonioni Blew Up the Movies | 8/5/2007 | See Source »

...masterly Swedish auteur Ingmar Bergman, who found both humor and despair in the human psyche, redefined cinema worldwide. He was 89. (See Arts for an Appreciation of Bergman by Woody Allen...

Author: /time Magazine | Title: Milestones Aug. 13, 2007 | 8/2/2007 | See Source »

...Dozens of us have the same story of teenage revelation: of seeing a Bergman movie, usually The Seventh Seal, and saying, "This is what I want to study, devote my life to." Here, we saw, was no mere director, collaborating on scripts with other writers, but a full-service auteur. Except for The Virgin Spring, written by Ulla Isaksson, and The Magic Flute, a faithful rendition of the Mozart opera, all of Bergman's most famous film stories sprang from his own fertile, febrile brain - from childhood memories and adult adulteries, from his copious trunk of obsessions and grudges...

Author: /time Magazine | Title: Why Ingmar Bergman Mattered | 7/30/2007 | See Source »

...years right at its center - and Portman makes an unfortunate, almost ludicrous, choice in her portrayal of the older, post-prison, Ines On the other hand, it has about it a kind of messy passion that is quite fascinating. It obviously means a great deal to its auteur, and that passion grants the film a felt and wayward life not usually granted historical epics...

Author: /time Magazine | Title: The Passion of Goya's Ghosts | 7/20/2007 | See Source »

...best director," Frears proclaimed, "is Julian Schnabel." But the New York painter-auteur was not the best winner. How did he embarrass himself and the Americans watching? Let us count the ways: 1) lumbered across the wide stage to shake the hands of all 10 Jury members; 2) mispronounced the name of his lead actor (Mathieu Amalric) and the biggest international star in the cast (Max Von Sydow); 3) invoked the pseudo-French song "Thank Heaven for Little Girls" (from the Hollywood musical Gigi) to acknowledge the film's five lovely supporting actresses, none of them little girls; 4) insulted...

Author: /time Magazine | Title: The U.S. Mostly Snubbed at Cannes | 5/27/2007 | See Source »

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