Word: auteurism
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There are a few jokes in this little scene in Kitano's first American film as actor-auteur. One is that the old man is himself Japanese-American, baffled by the demeanor of a compatriot from the far side of the Pacific. Another is that the line echoes the title of a Beat Takeshi TV show, You Japanese Are Strange. But the third is on Kitano's loyal worldwide audience. Because his pictures?passion action movies, lurid and pensive?are pretty darned scrutable...
Lurking in every art form was technology that might change everything. Napster and similar inventions terrified the music industry with death by a thousand clicks. Video software allowed anyone to be an auteur. A novel titled Riding the Bullet, by a plucky little outsider named Stephen King, showed that the e-book could democratize publishing. Or at least win a bigger cut for filthy-rich authors. New millennium art may not know where it's going yet, but wherever that may be, it'll charge for the trip. --James Poniewozik...
...Europe, and has remained a cult favorite for the last half-century. The reason is simple: Lewis pulled out all the stops, letting his visuals convey a feeling of uninhibited youth - what critic Myron Meisel labeled "the dizziness of irresponsibility." "Gun Crazy" also found Lewis collaborating with another misunderstood auteur - blacklisted screenwriter Dalton Trumbo wrote the script, submitting it under the name of Millard Kaufman, a fellow screenwriter who agreed to front for Trumbo...
...time I think about Bryan Singer's big-screen version of X-Men, I get more and more amazed. Facing heavy studio pressure, an ever-shifting script, and the weight of an entire legion of diehard fanboys ready to critique everything from costumes to eye color, the Usual Suspects auteur somehow managed to make a movie that was both true to the source material and self- contained in its own right. But even more importantly, the movie was pure fun - the X-Men's battle with Magneto atop the Statue of Liberty at the end perfectly captured the dazzling escapism...
With high art butting up against crass industry, and the sublime meeting the slime, Cannes is catnip for a connoisseur of bad taste like trash auteur John Waters, who showed his fizzy anarchistic jape Cecil B. Demented out of competition. "When I hear people say they hate the festival," he told TIME's Jeffrey Ressner, "I wonder why they bother to stay in show business." Cecil B. was typical of the American films premiering at Cannes this year. Ribald or sedate, they were all off-Hollywood. The Coen brothers offered a surprisingly genial odyssey, O Brother, Where Art Thou?, with...