Word: auteurism
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...Vendetta), Moore has declined screen credit on the Watchmen movie. But whatever his thoughts on the corruptive properties of cinema, he could have found no more devoted Watch-man than Snyder, who willed the project into screen reality after Terry Gilliam and others failed. The ultimate fetishist auteur, Snyder takes hallowed pulp artifacts--the '70s horror movie Dawn of the Dead, the Frank Miller graphic novel 300 and now this--and films them with the near fanatic fidelity of someone constructing an Eiffel Tower replica out of matchsticks. To Watchmen, he brings a reverence for the text that equals...
...Match Point”-esque ending is designed to be a carnival of conflicted pathos—Woody Allen’s romantic anxieties shot through with Martin Scorsese’s manly poetics—but Gray’s attempt to be an auteur of enclosed spaces and private struggles is mired by bad scriptwriting filled with well-worn tropes of romantic drama. He should embrace his Hollywood side, and it actually looks like he might: his next project is a Paramount thriller starring Brad Pitt called “The Lost City...
...films made from his stuff (From Hell, The League of Extraordinary Gentlemen, Constantine, V for Vendetta), Moore has declined screen credit on the Watchmen movie. But whatever his thoughts on the corruptive properties of cinema, he could have found no more devoted Watch-man than Snyder. The ultimate fetishist-auteur, he takes hallowed pulp artifacts - the '70s horror movie Dawn of the Dead, the Frank Miller graphic novel 300 and now this - and films them with the near-fanatic fidelity of someone constructing an Eiffel Tower replica out of matchsticks...
...goony kid prancing around the cool crooner. (One producer cruelly called Martin and Lewis "the organ grinder and the monkey"). He is the comic whose genius, or even the robust grosses of his movies, nobody in Hollywood took seriously. And because he was championed as an auteur in the pages of Cahiers du Cinema, Lewis's detractors have made him the derisive punch line to every joke about the French that came after postcards and before Freedom Fries...
...created an erotic illusion in men's minds - clouded and clarified them - without the airbrushing and soft focus of the Playboy nudes, without the sexy repartee that screenwriters gave Marilyn Monroe. Bettie was the sole creator of her myth; she was her own auteur. But her gifts were best appreciated in motion, not in repose. To express and exploit them fully, she needed to be liberated from the pages of Eyeful and Titter and be seen in pictures that moved. Enter Irving Klaw...