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Word: auteurism (lookup in dictionary) (lookup stats)
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...describe the Auteur Theory of Rock as a mimicking poor relation to the Politique des Auteurs of the cinema initially clears but ultimately muddies the water which supports this important new mode of rock 'n' roll study...

Author: By Robert P. Marshall jr., | Title: Stylists, Materialists, And A Hierarchy Of Rock | 4/18/1968 | See Source »

...Truffaut mode of movie analysis is filled in a comparably all-important manner by the singer. This role, to oversimplify by way of introduction, is to personalize unmistakably the final product. More than creating a recognizable style (for in the main, the human voice is inherently distinctive), the rock auteur utilizes his style to transcend his material. The content of the artist's songs is subjugated, and in fact it sometimes becomes difficult to differentiate within the auteur's oeuvre...

Author: By Robert P. Marshall jr., | Title: Stylists, Materialists, And A Hierarchy Of Rock | 4/18/1968 | See Source »

While acceptance of the auteur theory is currently spreading to many quarters (Ellen Willis gives oblique recognition to it in the April 6 New Yorker), this is the first attempt, to our knowledge, to relate it comprehensively to a significant segment of the rock 'n' roll catalogue...

Author: By Robert P. Marshall jr., | Title: Stylists, Materialists, And A Hierarchy Of Rock | 4/18/1968 | See Source »

BUDDY HOLLY was perhaps the first canonized auteur, after his tragic death in 1959. The number of Holly admirers has grown so steadily that Coral Records has managed to "discover" six albums-worth of material since the plane crash. Holly's style was the vehicle for the rise of Bobby Vee and Tommy Roe among others, and the early wave of the British sound in 1964, including a Beatles period, can be traced back to the shy Texan. The rolling beat of Peggy Sue and Tell Me How lived, as little else of the '50's did, well into...

Author: By Robert P. Marshall jr., | Title: Stylists, Materialists, And A Hierarchy Of Rock | 4/18/1968 | See Source »

There are any number of critical theories running around the world, each more insistant than the last that it alone is on to what the cinema should be. In last month's Cahiers Jean-Louis Comolli called for salles claires, half-lighted movie theatres to point up the auteur's conscious intent. Good films, like this one, create their own clarity...

Author: By Timothy S. Mayer, | Title: Sinister Madonna | 3/3/1967 | See Source »

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