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Word: auteurist (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...materials are certainly saccharine. The lovers not only are adolescents but possess near genius IQs. Daniel (Thelonious Bernard), the son of a Parisian cab driver, is a movie buff with the auteurist sensibility of a Sorbonne professor and the computer know-how of an M.I.T. grad. Lauren (Diane Lane), the stepdaughter of an overseas American corporate executive, reads Heidegger for kicks. These two meet, go steady, then flee their meddling parents by traveling by train with Olivier from Paris to Venice. Hokey as it seems, this film's Romeo and Juliet want to pledge their eternal love by kissing...

Author: /time Magazine | Title: Cinema: Pros at Play | 5/7/1979 | See Source »

...Pink Panther is a very controversial animal. Sample a random number of reasonably intelligent people on what they think of these stupid Blake Edwards movies and you'll get replies ranging from, "I sleep through them" to "What wonderful pictures! Real fun and unpertentious, you know?" Although more boneheaded "auteurist" cinema scholars--Black Edwards fans all--could probably give you a shot-by-shot analysis of this unsubtle director's techniques, most critics will find it hard to be objective about Revenge of the Pink Panther. So much depends on one's mood, the setting, the company, an, of course...

Author: By David B. Edelstein, | Title: PANTHER PUREE | 9/1/1978 | See Source »

...Pink Panther is a very controversial animal. Sample a random number of reasonably intelligent people on what they think of these stupid Blake Edwards movies and you'll get replies ranging from, "I sleep through them" to "What wonderful pictures! Real fun and unpretentious, you know?" Although more boneheaded "auteurist" cinema scholars--Blake Edwards fans all--could probably give you a shot-by-shot analysis of this unsubtle director's technique, most critics will find it hard to be objective about Revenge of the Pink Panther. So much depends on one's mood, the setting, the company, and, of course...

Author: By David B. Edelstein, | Title: Panther Puree | 8/18/1978 | See Source »

...suppose anyone would dispute the claim that The Towering Inferno is popular art, so I'll defend my assertion that it's good art as well. One red herring--the director. Irwin Allen--needs to be disposed of right away. Auteurist orthodoxy is so much a part of the serious movie-goer's mental baggage that the idea of a good film being produced by an awful director seems a contradiction in terms. And Allen has compounded the problem by acting like some Cahiers du Cinema reader's idea of a Big Bad Hollywood Producer. Allen told the august Arts...

Author: By Paul K. Rowe, | Title: Burn, Baby, Burn | 5/15/1975 | See Source »

...spatial and dramatic ambiguity. Orson Welles first developed the new realism in Citizen Kane -its elements of symbolism, multi-level causality, mystery, and am biguity (tragedy, too)-and Andre Bazin glorified it in criticism, developing a metaphysical formalism that invests the most innocent pan or track with human Significance. Auteurist critics go even further in this direction in order to justify selected Hollywood directors with extrapolated Meaning and with metaphysical implications of each "unique, personal style." Godard seeks to strip the cinema of all these vague dimensions that obscure the realities of a class society, and to discover a linear...

Author: By Jim Crawford, | Title: Radical Film Duet for Cannibals at the Central Square Theatre | 3/15/1971 | See Source »

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