Word: auteurs
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...rewritten or pared down. Often actors will be strongest in Take 13 or 30. And shooting a movie fast isn't the same as making it move, which Eastwood's films don't always do; they can be both slack and slapdash. Most critics love Clint the auteur, and there's plenty to admire, but his directorial style is in danger of being as overrated as his acting is underrated. He's a fine director when he connects with the linear clarity of a simple story--which is why the teeming narratives of Mystic River and Changeling don't work...
...Hardwicke, who directed the teen outsider films Thirteen, Lords of Dogtown and The Nativity Story (another fable about a special girl with a condition that's hard to explain), is no great shakes as an auteur. She dawdles in sketching Bella's high school chums, and her direction of the dialogue will often bore those who aren't mouthing it from memory as the actors speak it. But she chose her leads wisely: the pretty Stewart is a questioning, questing presence; the Brit Pattinson, a sensitive-stud dreamboat. And Hardwicke is faithful to the book's chaste eroticism. The couple...
...island paradise. The locals, not so much: they fight to get on the boat taking Malone back to the U.S., where a critics' group gives him the coveted Leni Riefenstahl Award for his films Die You American Pigs and America Sucks the Big One. But the auteur is not as popular with "real" Americans. He is called a "fat, ignorant, America-hating traitor," a "sack o' shit" and, by the ghost of J.F.K., "a douche...
...Deep Throat millions never got to Damiano - how does a director put muscle on the Mafia? - but it did allow him to pursue his dream of being a respected film auteur, though still in hardcore. Most directors with a left-field mega-hit would instantly crank out another picture in the same genre. Not Damiano. He used his cash, and cachet, from his silly porno comedy to make a super-serioso drama: Devil in Miss Jones. And this time under his own name. Reading the script, Reems told his friend: "Gerry, it's a steal. This is No Exit...
...Malkovich, Human Nature, Confessions of a Dangerous Mind, Adaptation and Eternal Sunshine of the Spotless Mind. The typical film scribe making his move to the director's chair would pick a modest project, one that doesn't tax his tyro status. But Kaufman's first work as a total auteur is his most daunting project yet: a portrait of a creative mind in artistic and emotional crisis, painted as a vast mural that encompasses 30-plus years, slips from mundane reality into nightmare fantasy, and is set (not counting side trips to Germany) in two New York State river cities...