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...that Waite missed this point. He writes, “the freshmen were exposed to a poetic call for revolution and thereby were informed of the existence of a ‘war between races.’” The poem he references actually ends with the author??Lorna Dee Cervantes—concluding, “I do not believe in the war between races but in this country there...
...nter Grass, a Nobel Prize-winning author who hid his military service for the Nazis during most of his life. Several Czech journalists and intellectuals stated they are not surprised that Kundera had once been an informant, as if the matter were already settled. All the while, the author??s own denials were nearly drowned...
...when he was younger I ended up watching cartoons with him, so my poems were filled with cartoon imagery,” Armantrout said after the reading. “I certainly don’t spend my time watching cartoons now, but an author??s poetry deals with his or her environment.” Armantrout’s works have been published frequently in recent issues of The New Yorker and other literary magazines. “Rae’s poetry is finally getting the worldwide attention that it has deserved for decades...
...succumbs), Humbert to lust (which drives him to kidnap and murder). The more forward motion these characters seemed to make, the clearer it became to the reader that they were stuck in the same place. But while Nabokov’s characters were ultimately the victims of their author??s mechanisms, they were also, fundamentally, the labors of a loving creator.It’s difficult to make the same case for Marcus Messner, the protagonist of Philip Roth’s 29th book, “Indignation.” As is now common in his novels...
...Victor’s “honest” love interest—is effectively wooden and dream-girl-by-the-numbers, though not without the afforded Palanhiuk twist that may or may not redeem her inadequacies.Fans of David Fincher’s adaptation of the author??s first novel, 1999’s “Fight Club” must take note: “Choke” lacks the cinematic intensity, bombastic performances, and thematic density of that film. With its half-baked plotlines and tepid, almost inconsequential digressions into subplots...