Word: authoress
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Dates: during 1930-1939
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...Proustian total-recall. Pity Is Not Enough is a medley of autobiographies, a family album of actually speaking likenesses. To read her story of the post-Civil War U. S. is like being there in a painfully realistic sense. Without depending very much on local color (letters, newspaper paragraphs), Authoress Herbst's story establishes its eyewitness character by almost continuous "indirect discourse," shifting its overheard speakers as the scene shifts but never losing its Nineteenth-Century tone of voice. Pity Is Not Enough is so achingly true to life that some readers may find it too drab for comfort...
...made him understand that he was not. When the Janowskis settled their squalling Polish brood on a neighboring farm, it was Jen's tolerance that kept the Shaw mind open until Stan Janowski proved his worth as a farmer. In spite of Jen's impregnable excellence Authoress Carroll makes her such an attractive character that finally even skeptical readers will agree with the Yankee Shaw family that if Jen wants to marry a Pole, that will be all right with them. The Author, like her heroine, has "never wished to live violently''; admits that her disposition...
Kipling's scriptural utterance (that "East is East, and West is West, and never the twain shall meet") is made to appear more pontifical than profound by Authoress Wain's House of Exile, an autobiographical record of how a U. S. woman became an adopted member of an ancient, aristocratic Chinese family. Readers of Authoress Waln's book will feel that Kipling's quotation should be amended: for "East" read "Boxers"; for "West," "Little Englanders...
From some references to her Memories in Lorenzo in Taos, readers might have supposed that Authoress Luhan's autobiographical purpose was to rip off the veils and drawers of Victorian hypocrisy. But very little is removed in this first...
...Authoress Scott likes a big canvas. In Migrations and The Wave, she filled a panoramic picture of the Civil War with hundreds of figures, a meticulously colorful background. A Calendar of Sin made No. 3 of her U. S. historical series. Eva Gay is not quite so big (only 799 pages), but its figures are few, its background so subdued that attention is glaringly focused on the three main characters. Many a wearied reader will not be attentive to the bitter...