Word: authorization
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Dates: during 1970-1979
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...shadow of the footlights. Williams had a long-distance father, moved from the deep South to St. Louis and spent three miserable years in a shoe warehouse, presumably writing poems on shoe boxes--just like his character Tom. But Tom is more than the stage presence of the author. He is a voice, a specter in his own dreams, giving "reality in the form of illusion" but always running to the illusionary happiness of movies and liquor until he breaks free, like his father, sacrificing his mother and sister for his adventure...
public opinion around the country last week found Americans almost unanimously against handing over the Shah to Khomeini. "We'd be groveling if we caved in now," says Boston Lawyer-Author George V. Higgins. But some consider that it was a major blunder to admit the Shah in the first place, even for medical treatment. Above all, there is frustration and anger. Willard Hedrick, owner of a construction company...
...Blunt affair came as no shock to the author of this Essay. He was recruited into the M16 branch of British intelligence during World War II, and operated for 18 months as a spy at Lourengo Marques in Mozambique. His boss at M16 headquarters was Kim Philby-as it turned out-of the KGB. "Intelligence gathering, "the author later observed, "is even more fantasy-prone than news gathering. In the latter, you are often expected to make bricks without straw, but in the former, to grow lemons without a tree. "He thus retired from spying with some relief...
...easy guy to work with. He wants to examine all aspects of a line before he commits himself to going with it." They met in 1966 when Hoffman, then an unknown, was doing three of Schisgal's one-act plays in Stockbridge, Mass. The author liked to take early-morning walks, and every day when he left his hotel, Hoffman would be waiting for him. "He'd have the script and a million questions to ask: 'What's your thought here? What's your thought there?' I had never worked with an actor like...
...drama, she joined a small repertory company in Vermont and then won a three-year scholarship to the Yale School of Drama. Her classwork won ever higher praise. "Whenever she did a scene," says Director Robert Lewis, who was a professor there at the time, "you wished that the author were there to see it." She was also much in demand for major roles by the Yale Repertory Theater. By the time she earned her master of fine arts degree she had developed an incipient ulcer: "It was very liberating when I got out to find that...