Word: authorizes
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Dates: during 1920-1929
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...protest that it must be overdone. The tone of these chapters is like one of George's own remarks, thus reported: " 'Now, look at these simian bipeds,' George pursued, pointing to an inoffensive pair of lovers . . . 'more foul, more deadly, more incestuously blood-lustful . . .!' " Throughout the early chapters Author Aldington seems to be pointing at inoffensive people and gratuitously calling them incestuous. There may be reason for dissecting a diseased corpse; there can be none for clubbing...
When he comes to the War, surprisingly, the author is much more restrained, more willing to let the facts indict themselves. He gives a plain, horrible account of the existence that unfitted George first for the conversation of his frippery London set and then for life itself. The climax has real inevitability...
...Author. This is Richard Aldington's first novel. He is known for criticism, translations and poems. His wife, Hilda Doolittle Aldington, is the Imagist poet...
...premiere of this vigorous, ethical tale 19 years ago. Composer Puccini and Author Belasco were both present. Puccini was awarded an eight-foot wreath, Belasco was "divinely happy." Yet he declared he was happier last week. Jeritza and he took a dozen bows together. He kissed her hand. She kissed his cheek. The other players did not count. As Forty-Niners they were patently masquerading. Tenor Giovanni Martinelli (Dick Johnson) had suffered and sobbed in the best Italian manner. Baritone Lawrence Tibbett (Jack Rance) was more credible, but looked funny in an Abraham Lincoln makeup. It was Jeritza who raised...
...Author of The Green Goddess, translator and editor of many Ibsen plays...