Word: authorly
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Dates: during 1990-1999
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...would be of some comfort to learn that Wolf, 35, grew up far away from any decent record stores, but alas, that is not the case. The author of The Beauty Myth and Fire with Fire came of age in San Francisco's Haight-Ashbury, smack in the middle of the feminist and sexual revolutions. She draws on her experiences there, as well as those of her childhood friends, to make the drawn-out point that female longing is dangerously suppressed in our allegedly liberated culture...
...youthful indiscretion. Yet she never spells out what grave long-term consequences her "characters" suffered as a result of their regrettable experiments. Indeed, she does not flesh out what their lives are like today. From the sketchy information she provides, we can only assume that most, like the author, are well-adjusted married young women with toddlers and patios...
...They warned me," says author Perry, who lives in Studio City, Calif., with his wife, scriptwriter Jo Perry, and their two small children. "Friends said, 'Don't let Jane get married, or she'll maybe even, you know, have a baby.'" Perry, who is white, was reared in Tonawanda, in upstate New York, in what is still to some extent Seneca country. Making Whitefield a cross-cultural Seneca (novelist Tony Hillerman's Navajo cop Jim Chee, for instance, seems more thoroughly Indian) gave Perry an opportunity to learn more about the local Native American culture. And making her a woman...
...will be clear to anyone, including this reviewer, who knew the author's family when she was a child, models for the fictional characters in Martha McPhee's novel, Bright Angel Time (Random House; 244 pages; $23), were found close to home. Her father, the writer John McPhee, who has written several books on geology, is detectable in lightest disguise as a professor of geology, and the author herself is surely the youngest of several daughters (three in the novel, four in real life), the bemused eight-year-old narrator, Kate...
...author and the theater mogul first met three years ago for lunch at the Russian Tea Room in New York City. E.L. Doctorow was impressed, first of all, that Garth Drabinsky--the Canadian producer who wanted to turn his novel Ragtime into a musical--agreed with him about the 1981 movie version: they both disliked it. He was impressed too that Drabinsky seemed to have read the book closely and thought about it deeply. "He's an interesting amalgam of old-time entrepreneurial showman and genuine theater enthusiast," says Doctorow. "He has real taste. And he's not afraid...