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Arriving at Manhattan's NBC news studios, leased for the premiere of the Public Broadcast Laboratory (TIME, Nov. 10), Executive Director Av Westin last week found a note left by the regular occupants. "The moneymen of Huntley-Brinkley," the message read, "hope you do-gooders do good. Good luck!" PBL will need some luck; it didn't do so good...

Author: /time Magazine | Title: Public TV: Wait Till Next Week? | 11/17/1967 | See Source »

...purpose of PBL, says Executive Director Av Westin, is "to stir things up, to challenge the status quo of both commercial and educational television...

Author: /time Magazine | Title: Public TV: Opportunities for Change | 11/10/1967 | See Source »

...informed of his standing, Royer commented, "I feel okay about that, but I feel lousy about the team ranking at the bottom of the league. It'll be good to get Gallagher back; you just can't lose your best scorer and rebounder without getting hurt." FG FT PTS AV G. Morris, Cornell 43 21 107 21.4 C. Thomforde, Prince 30 14 74 18.5 R. Johnson, Yale 34 20 88 17.6 J. Colgan, Dartmouth 28 27 83 16.6 W. Reynolds, Brown 30 18 78 15.6 E. Goldstone, Yale 33 12 78 15.6 J. Heiser, Princeton 24 11 59 14.7 Barth...

Author: NO WRITER ATTRIBUTED | Title: Royer Leads Hoopmen | 1/27/1967 | See Source »

...last season's most popular TV show - Beverly Hillbillies'), Reginald Rose (The Defenders), Rod Serling (Twilight Zone) and Nat Hiken (Car 54). All, like Silliphant, have incorporated themselves in one way or another and all of them have incomes that are astronomical by comparison with the av erage established TV writer's take of about $20,000 a year. Silliphant will not even consider writing an hour-long script for less than $10,000 (although he magnanimously charges his own com pany only $5,000 per script). But the real money comes from residuals and royalties...

Author: /time Magazine | Title: Television: The Fingers of God | 8/9/1963 | See Source »

...hand ever in two pockets). He may or may not be following the woman-it is almost impossible to tell because he, like she, seems in no hurry. The director (Michelangelo Antonioni? Alain Resnais? Federico Fellini? Francois Truffaut?) is definitely in no hurry. The movie (La Notte? L'Av-ventura? La Dolce Vita? Hiroshima, Mon Amour?) is 50 minutes long already, and still the woman is walking, the man is walking, and the only real involvement anywhere is occurring among people, who are not walking but sitting, scattered throughout the theater, nodding and telling each other how real...

Author: /time Magazine | Title: Movies: Pedestrian Art | 11/2/1962 | See Source »

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