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Swathed in smoke and murky lighting in the Avalon Ballroom on We. Nov. 13th, Les Claypool hunched over to sing into his distorted microphone. Though he resembles the Child-Catcher from Chitty Chitty Bang Bang, complete with lank hair and bowler hat and a somewhat more modest nose, he is something of a visionary as well. After four decades of bite-sized, digestible songs of appropriate lengths and recognizable lyrics, there may be something of a crisis brewing in certain music circles. What is there left to do? One response is Sigur Ros’ experiments with wordlessness and nameless...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: Frolicking With the Flying Frogs | 11/21/2002 | See Source »

Crazy? Possibly. Subversive? Almost certainly. Compelling? Ask the smoke-wreathed, rapt, boogying crowd at Avalon. If you can distract them long enough to answer, maybe you’ll get some idea...

Author: By Andrew R. Iliff, CRIMSON STAFF WRITER | Title: Frolicking With the Flying Frogs | 11/21/2002 | See Source »

...considerably. He cites opening to an audience of a 100,000 for U2, headlining and selling out Red Rocks in Denver and supporting the Red Hot Chili Peppers as his fondest moments. He namedrops clubs in Singapore, Buenos Aires, Miami, San Francisco and Boston’s very own Avalon as favorite places to spin. “The Irish are fucking great, man,” he muses...

Author: By Ryan J. Kuo, CRIMSON STAFF WRITER | Title: up from underground | 11/7/2002 | See Source »

...just everyone's castle, it's becoming a resort, an island of comfort in an ocean of insecurity. It's command central for the modern family in all its configurations, the place to huddle, socialize and strategize in an increasingly complex world. Says Kacey Fitzpatrick, who heads Avalon Enterprises, a design and construction firm in Mountain View, Calif.: "The families I work with are trying to find a balance between comfortable refuge, multifunctioning utilitarian facility and showplace...

Author: /time Magazine | Title: Inside The New American Home | 10/14/2002 | See Source »

...staler than ever. By this time "Bandstand" had moved from its original location in Philadelphia (100 miles north of Baltimore) to Los Angeles, where the kids had better bodies and deeper tans, and even the white-ethnic tinge of the teen dancers disappeared into generic good looks. Frankie Avalon went west and turned into Troy Donahue...

Author: /time Magazine | Title: That Old Feeling: Let Us "Spray" | 10/7/2002 | See Source »

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