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Phillips' thinking about art, his impulse to collect it and set it in order, was sponsored by two main beliefs. The first is that art is continuous. It is not--whatever the avant-gardists may crudely suppose--locked in an Oedipal battle with its past. Every masterpiece contains the genes of earlier masterpieces, as Manets and Daumiers do of Goyas, as Goyas do of Velasquezes. Second, art gives us access to a paradise of the intelligent senses that, once attained, justifies itself. Its aim is pleasure. Thus, Phillips had a fascinated respect for Picasso's anxiety but no great paintings...

Author: /time Magazine | Title: Art: A Livable Treasure-House | 1/1/2000 | See Source »

DIED. LESTER BOWIE, 58, theatrical avant-garde jazz trumpeter and founding member of the Art Ensemble of Chicago; of liver cancer; in Brooklyn, New York. A key voice in the experimental-jazz movement of the 1960s in Chicago, Bowie recorded and performed in Europe and the U.S. for 35 years--often in his trademark white coat...

Author: /time Magazine | Title: Milestones Nov. 22, 1999 | 11/22/1999 | See Source »

...therefore safe. While many Y2Kers are running around prophesying the end of everything from power grids to rock & roll, the fashion industry has taken on the fin-de-sicle with fervor, dubbing orange the "millennial color" and making fashion picks for the next century. But as the high fashion avant-garde parades forward in full plumage--feather, sequins, fur and leather--many members of the old guard have run for cover. But some, like it-girl Miuccia Prada, were easy converts, spending years preparing for their 15 minutes in the millennial spotlight. Over the last few years, sterile, boxy minimalism...

Author: By By TERI Wang, CRIMSON STAFF WRITER | Title: Haute Couture Sells Out, Up & Backwards | 11/5/1999 | See Source »

...strips cinema to even barer levels. Starring Ewan Bremner ("Spud" from Trainspotting) and Chlo Sevigny ("Jennie" from Kids), the film provides a keyhole view into the life of a schizophrenic and his disturbingly dysfunctional family. Using no formal script and few special effects, donkey-boy is at once an avant-garde "art house" film that nobody will see and a strikingly original work that merits critical attention...

Author: By Matthew B. Sussman, CONTRIBUTING WRITER | Title: Spunky donkey a Little Too Funky | 11/5/1999 | See Source »

...spreads beyond art houses, it will be not because it suggests a vital new way to make pictures, but because today's directors feel crushed by technological gimmickry. The camerabatics of the French New Wave, the anti-dramatic films of Bresson and Antonioni, the nonlinear experiments of the American avant garde--each of these was a revolutionary call to arms. Dogme is a call to disarm, to strip away the veneer, to walk without crutches supplied by Industrial Light & Magic. Unabashedly reactionary, Dogme loves innocence; it aims for a primitive purity. "Filmmakers and filmgoers are yearning for something else," says...

Author: /time Magazine | Title: Cinema: Putting on the Dogme | 10/11/1999 | See Source »

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